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Introduction
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01.Physical Tour
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02.Testing/Performance
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03.Components
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04.Design / Layout
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05.Modes
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06.Control Options
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07.Image Parameters
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08.Connectivity / Extras
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09.Overall Impressions
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10.Conclusion
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11.Sample Photos
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12.Specs / Ratings
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13.Comments
Sony A200
Previous: Page 4
Design / LayoutNext: Page 6
Control Options
Scene Modes
Portrait
Blurs background, softens skintones
Landscape
Deep focus, vivid colors
Macro
Shoot close-ups
Sports
Continuous shooting at high shutter speed
Sunset
Accentuates the red hues in the scene
Auto Mode (8.50)
Full Auto mode lets the camera's brain do all the work for those who simply want to point and shoot. Those with a bit more ambition can still manually set Creative Style (Standard, Vivid, etc.) the D-Range optimizer function and even the ISO – the decision not to impose the default Auto ISO setting in Auto Mode was a good one, since even beginners may grasp the picture-quality importance of this setting quickly (perhaps egged on by the dedicated ISO button practically begging for attention on top of the camera).
Movie Mode
The A200 doesn't have a Movie mode, which is hardly surprising considering what a rarity movie mode is among SLRs.
Drive / Burst Mode (7.25)
Your options here include single-shot advance, continuous advance, and self-timer (either 2-second or 10-second delay). Shooting continuously, Sony claims a rate of 3 frames per second, same as with the A100. There is no option to vary this rate, a feature found in some higher-end SLRs. We were pleased to see, though, that you can keep shooting JPEGs continuously until you run out of room on the memory card, the battery dies or your finger gets tired. Shooting RAW, the limit for continuous shooting is six frames and, for RAW + JPEG, three.
Exposure and white balance bracketing are also included in the Drive Mode menu.

Playback Mode (7.75)
Playback mode offers four different on-screen displays, toggled by pressing the DISP button to the left of the LCD. In addition to a clean-screen full-frame view of your photo and a view with basic image data overlaid (file name and shot number, image size and quality, shutter speed and aperture, date, time and ISO setting), there is a very nice histogram display. In addition to picture information, the histogram view shows a smaller imge of the photo flashing areas that are overexposed, and a stacked four-part histogram along the right with separate luminance graphs for the overall image and the red, green and blue channels. The fourth display is another favorite. It shows one large image at the bottom, with shooting information overlaid, along with five thumbnails along the top. This is particularly useful if you've shot a sequence of similar shots (during a sporting event, for example) and want to quickly scroll through them to find the one that captures just the right moment.

Of course, there's also a familiar full-screen index view, enabled by pressing the shared exposure compensation / index view button to the left of the viewfinder. The first press displays 9 images, the second 25, the third 4. You can cursor from one image to another using the four-way controller and press the center button for a full-screen view of your chosen photo.
When you want to see the detail in a shot you've taken, one press of the zoom button takes you to 6.1x magnification, which presents a reasonable close-up view (though why 6.1 and not an even 6 remains a mystery). Repeatedly pressing the zoom button ramps up the magnification to a maximum of 12x. One feature we particularly like here: once you've zoomed in, you can scroll through images by turning the control wheel and maintain the same magnified view from image to image. It's a real boon when you're trying to figure out which shot captured the most fine detail.
If you've chosen not to have portrait-mode images rotated automatically during playback, you can manually rotate the image by pressing the Fn button.
There's also a basic slide show mode, inconveniently located on the main menu instead of with the other playback mode controls.
Custom Image Presets (6.00)
Like the Nikon D60 and Canon XSi, Sony has made access to scene mode presets simple for SLR novices by putting them right on the control dial for quick and easy access.
Shop for the Sony A200
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