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Sony DSLR
Home > Digital Camera Reviews > Sony Digital Cameras > Sony DSLR
Sony DSLR-A200 Digital Camera Review
by Steve Morgenstern
Published on July 01, 2008
Model Design / Appearance (6.75)
The Sony A200 looks nearly identical to its predecessor, with the exception of a few tweaks here and there. It’s on the small side for an SLR, but doesn't suffer from the too-small-to-hold-comfortably problem we encountered with the Nikon D60.
While the body is indisputably plastic, the camera has a nice heft to it and feels good and solid in your hands. The seams appear to be tightly joined, so we don't anticipate problems shooting in inclement weather. It’s entirely black, with the exception of white and blue text labeling the buttons. Even the multi-selector is midnight black. The only exception is the green around the Auto mode and the orange highlights on the lens mount and alpha symbol on the camera’s front.
The top and back of the camera is somewhat cluttered, with a wealth of separate buttons scattered around. And while the typeface used to label these buttons is easy to read, the blue ink used for labeling secondary functions is dark enough to be nearly invisible under ordinary room light.
Overall, though, the A200 looks pleasingly professional.
Size / Portability (8.00)
The Sony A200 is marketed as a portable, lightweight SLR, though it’s only slightly smaller and lighter than its predecessor. The A200 measures 5.24 x 3.74 x 2.8 inches, while its predecessor, the A100, measured 35.25 x 3.75 x 2.875 inches. The size difference isn’t very noticeable. And although Sony touts the A200 as a lighter model, it weighs the same 1 pound, 3 ounces (545 grams) that the A100 does. This is still fairly light for a digital SLR, but certainly requires the included neck strap to tote around.
The A200 features two chrome neck strap eyelets, one protruding out of the right side of the camera, and the other recessed into the left side of the camera’s top. The neck strap is a sturdy black fabric with an orange border, complementing the A200’s orange highlights.
For an SLR, the A200 is fairly portable. It has appropriate size and heft, but isn’t as bulky as more professional models..
Handling Ability (7.50)
With a rubberized grip for the right hand and a wide space on the bottom for the left, the A200 makes handling easy. The hand grip is slightly textured and molded so fingers can easily and comfortably grasp the camera.
The back of the camera has one slight contour on the right side to help support the right thumb. The weight is well balanced on both sides of the camera, with the lens on the left balancing the weight of the right hand grip.


The A200 feels comfortable and well-balanced.
Control Button / Dial Positioning / Size (7.25)
The A200 is festooned with dials and buttons, some dedicated to a single purpose, some with different functions depending on what you're doing with the camera at the moment. Overall, there doesn't seem to be much logic involved in what went where.
Let's start with the parts that make the most sense. The control dial on the top left of the camera is a standard knurled knob which clicks into place with a satisfying snap as you turn it. Printed in white on top are the letters PASM (Program, Aperture Priority, Shutter Priority and Manual) plus seven icons for the preset shooting modes and the word "Auto" with a green background, the near-universal color coding for "don't worry, be happy, we'll take care of everything for you." The four-way controller on the back is also standard fare, with one exception. In addition to serving as the OK button when working with menus, the central button in the four-way will trigger autofocus while you're shooting, without having to press the shutter halfway down. Not tremendously useful, but it might help keep heavy-fingered folks from accidentally taking pictures by mashing down on the shutter too hard when focusing. So far, so good.
On the left side of the top are two buttons. The furthest right one serves a single purpose: it brings up the on-screen ISO menu while shooting. Not sure that's a feature that most users of this consumer camera are likely to use frequently, but it's clearly labeled and certainly doesn't hurt. To the left of this button is the Drive mode button, which triggers another on-screen menu: choose between single-shot or continuous shooting, choose the self-timer or set up white balance or bracketed shooting (exposure or white balance bracketing). That's a lot of not entirely related functions, and the dual icons don't begin to hint at the variety revealed when you mash down on this button.
The buttons along the back left side of the camera are straightforward and mostly well labeled , though printing the delete and playback icons in blue makes them nearly invisible against the black camera body.
The real clunker among the controls, though, is the tiny Control dial positioned right in front of the shutter. Only a tiny bit of the circular dial peeks up above the camera body and, what's worse, the position on the top rather than up front (as seen on the Nikon D60 and Canon XSi) proves extremely uncomfortable in practice. This is especially true when attempting to use the Program shift function. You need to hold the shutter down halfway in order to take a light reading, then move the dial to adjust shutter speed and aperture while still holding the shutter down to preserve that overall exposure. But if you're using your index finger to hold the shutter, what appendage are you supposed to use to turn the dial?

Single-purpose buttons are easy for
newbies to understand.
Menu (8.00)
The on-screen menus are bright and easy to read, with white type on a dark grey background and a festive Halloween-orange highlight bar that's impossible to miss. The typeface is clearly legible, and the icons are crisply designed and easy to understand.
| Recording Menu 1 |
Image size
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Image size setting, small, medium or large
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Aspect ratio
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Standard 3:2 or HDTV-style widescreen 16:9
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| Quality |
Choose from RAW, RAW+JPEG, Fine or Standard |
| Creative Style |
Eight combinations of contrast, saturation and sharpness, with option to finetune each parameter
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Flash Control
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Choose between ADI flash mode (default) or pre-flash TTL
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| Flahs compens. |
Adjust flash compensation, - or + two stops
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Recording Menu 2
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Priority Setup
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Choose whether to allow shutter release without sharp focus lock
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AF Illuminator
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Turn autofocus illuminator on or off
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Long exp. NR
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Turn noise reduction on or off for exposures longer than one second
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High ISO NR
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Turn noise reduction on or off for ISO settings 1600 or higher
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Rec mode reset
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Reset shooting settings to factory defaults
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Custom Menu
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Eye-Start AF
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Turn eyepiece sensor (that automatically starts autofocus when camera is held to eye) on or off
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AEL button
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Control autoexposure lock : require that the button be held down, or use it as an on/off toggle
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| Ctrl dial setup |
Choose whether the control dial adjusts shutter or aperture in full manual and program shift modes
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Red eye reduc
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Enable or disable rapid flash before shutter release to minimize red eye
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Auto review
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Set length of LCD review display after shooting, or disable it
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Auto off w/VF
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Control whether or not eyepiece sensor turns off LCD display
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Playback Menu 1
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| Delete |
Choose to delete marked images or all images
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Format
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Delete all data from memory card
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Protect
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Protect images from erasure: choose marked images, all images or cancel protection on all images
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DPOF setup
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Create DPOF order file for marked images, all images, or cancel existing DPOF order
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Date imprint
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Toggle date imprint in DPOF order on or off
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Index print
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Toggle index print for DPOF order on or off
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Playback Menu 2
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Playback Display
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Set auto rotate or manual rotate during on-screen playback
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Slide show
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Start on-screen slide show display
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Interval
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Set timing for on-screen slide show display
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Setup Menu 1
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LCD brightness
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Choose from five brightness levels
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Info. disp. time
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Set time for on-screen information display during shooting
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Power save
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Set time delay before power saving mode kicks in
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Video output
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Choose NTSC or PAL video format.
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Language
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Select one of six menu languages
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Date/Time Setup
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Set time, date, date format
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Setup Menu 2
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| File number |
Allow file name numbers to continue increasing or to reset after changing memory cards, formatting card, or deleting all files
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Folder name
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Choose folder name date format
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Select folder
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Choose one of multiple folders to store new images
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New folder
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Create new folder
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USB connection
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Set USB mode to mass storage (for connection to PC) or PTP (for connection to printer)
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Audio signals
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Turn audible feedback on or off
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Setup Menu 3
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Cleaning Mode
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Engage sensor dust removal process
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Reset default
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Reset all camera functions to factory default settings
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Function Menu
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Flash mode
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Select flash sync mode, turn flash off
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Autofocus mode
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Set autofocus to single shot, continuous or automatic
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White balance
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Choose automatic or preset modes, or enter manual settings
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Metering mode
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Choose from multisegment, center-weighted or spot
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AF area
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Set focus mode to wide, spot or local
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D-RangeOptimizer
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Set dynamic range optimization to standard or advanced mode, or turn it off
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Ease of Use (8.25)
The decision to break up the camera controls structure in two groups, one triggered by the Menu button on the right side of the camera, the other via the FN (function) button on the left, is a mixed blessing. Starting out, this arrangment is likely to confuse many users. There is some method to the apparent madness, though, and once you've learned your way around the camera, the split decision will actually speed up the process of inputting settings while taking pictures.
The most frequently used shooting adjustments (Flash mode, Metering mode, Autofocus Mode, Autofocus area, white balance and the setting for the D-Range Optimizer) appear on the LCD when you press FN, while setup functions you're likely to deal with before starting to shoot (image size and quality, noise reduction settings, etc.) appear after pressing Menu. The division isn't entirely consistent, though: flash exposure compensation, the red-eye reduction toggle and noise reduction settings, for example, are locked away under the Menu button, though they are settings you'd want to access on the fly while shooting.
One thing is for sure: the button on the back of the camera is a superior arrangement to the dual-dial system used on the A-100. Now the on-screen menu is right next to the control, meaning you no longer have to peek at the top of the camera for the function dial, then switch to the back of the camera to see the display.
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