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Sony A200

Digital Camera Review

This review is organized into 13 pages

Next: Page 1

Physical Tour
Sony A200

Section The Good The Bad



Tour


Handsome, sophisticated look belies low sticker price


Plastic construction won't stand up to abuse


Testing/Performance


Compares well to the competition in most areas


Auto ISO settings produced noisy images


Components


Bright LCD and comfortable optical viewfinder


Proprietary hot shoe


Design/Layout


Beefy rubberized grip feels secure and comfortable


Single control dial is poorly positioned


Modes


Flexible auto mode and excellent playback mode options


Burst mode slightly slower than claimed


Control Options


Key shooting settings easy to access


Sloppy manual focus control, no dedicated auto focus assist lamp


Image Parameters


RAW and RAW+JPEG welcome step-up features


No in-camera image editing


Connectivity/Extras


In-camera image stabilization and dynamic range optimization

No high-def video out despite 16:9 aspect ratio option

The DSLR-A200 is Sony’s second shot at the digital SLR market, following the company's first-ever SLR, last year’s A100.  Many of the A200’s features are identical to the A100: 10.2-megapixel resolution, an image stabilization system built into the camera body, and an automatic dust removal system. The A-200's dimensions are just a hair smaller than the A-100, but the price tag is significantly more petite. When the A100 came out, it sold for $999 with the kit lens. The A200, on the other hand, is now selling for just $500 with an 18-70mm kit lens, or $700 with both the 18-70mm and a 75-300mm telephoto, bargain prices in anyone's book. But does a low price mean low quality? We were pleased to discover that it doesn't, at least in this case. The A200 stands out as a solid, non-fussy piece of gear at a reasonable price, The hands-on testing results that led us to this conclusion follow.


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Sony A200
Digital Camera Review

This review is organized into 13 pages

Previous: Page 1

Physical Tour
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