Sony Alpha A900 Digital Camera Review

Sony Alpha A900

Digital Camera Review

4.3 The Sony A900 is the company’s powerful attempt to compete with the big boys with a full-frame $2999, 24.6-megapixel resolution SLR. There are some features notably absent, though, and our lab testing turned up problems with color accuracy and image noise.
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Sample Photos Summary  
x • Sharp high-res images allow significant cropping and enlargement without loss off detail
• Mixed results using Creative Styles settings; minimal effect in many cases
• Captures subtle gradations in color and texture very effectively
• Night shooting produces nicely balanced exposures with more detail than expected, despite the image noise
x White Balance Page 7 of 18 Playback x

Sample Photos


Clicking on any of the large photos below will call up the full-size original, though considering the size of these 24.6-megapixel files, those with slow Internet connections should consider themselves forewarned.

Landscape Sample
x Focal length: 24mm
Aperture: f/10
Shutter: 1/320
ISO: 400

This lake shot was taken on an overcast day on Long Island, using Program mode with -0.7 EV exposure compensation. Metering was set to center-weighted average.
x x x x In these actual-pixels crops, we see the sharpness that made the A900 our resolution leader, with clean sharp edges. There is signficant color fringing in the corners, though.

 

Close-Up Sample
x Focal Length: 105mm
Aperture: f/5.6
Shutter: 1/20 sec.
ISO: 400

The clock photo was taken on a shaded porch, using a custom white balance setting and a fairly large aperture to keep the face sharp while the busy background fades out of focus.
x x x x The coloration in the metal surfaces is smooth and realistic, the details on the clock face were captured nicely, and image noise is not an issue.

 

Texture Sample
x Focal Length: 50mm
Aperture: f/10
Shutter: 1/250 sec.
ISO: 200

These world masks were shot on a bright, overcast afternoon, using the Vivid Creative Style to make the colors even more vibrant. A custom white balance reading was taken, with metering set on center-weighted average.
x x x x The range of textures shown here include papier mache, yarn, wood, fabric and mottled plastic, in the far right sample, which was captured with admirable subtlety.

 

Creative Style Sample
x Focal Length: 55mm
Aperture: f/22
Shutter: 1/1000
ISO: 1600

We used this tool-time tableau to explore the effect of different Creative Style choices. The main image was shot in the Neutral setting, the others in (left to right) Vivid, Standard, Autumn and Sepia.
x x x x Colors in Neutral Mode certainly look flat in comparison. Vivid and Autumn make the orange shovel unnaturally hot. The pale blue door barely shifts in any of the color images, though the pale yellow rake intensifies in Vivid mode. And for sepia fans, the effect here mimics an old daguerreotype nicely.

 

Night Scene Sample
x Focal Length: 60mm
Aperture: f/11
Shutter: 2 seconds
ISO: 3200

The house looks significantly brighter in the photo than it did to the naked eye. It was shot using the Night View Creative Style setting, which is supposed to enhance contrast, though we didn't see a lot of difference between this shot and others taken using the Standard setting. The shutter speed was set manually, to enhance depth of field.
x x x x Yes, there's a great deal of noise when shooting at long exposures at the maximum official ISO setting, but there's also lots of useful detail in a nicely balanced exposure.

 

Wildlife Sample
x Focal length: f/4.5
Aperture: f/5.6
Shutter: 1/60
ISO: 800


This ferocious animal was captured in a fairly dark room, with sunlight coming in through the window, using automatic white balance and evaluative metering.
x x x x The far left image shows the reflection of a window in the cat's eye. Overall the level of detail is impressive, and the coloring very accurate even with automatic white balance.

 

Still Life Examples


 

  Still Life Comparisons
  x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 50   x    
ISO 100 x x x x x
ISO 200 x x x x x
ISO 400 x x x x x
ISO 800 x x x x x
ISO 1600 x x x x x
ISO 3200 x x x x x
ISO 6400 x x x x x
ISO
12800


x x   x
ISO
25600
x
  x

 

Noise Examples


 

  Noise Comparison Table
  x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 50
Not Available
x

Not Available
x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 100 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 200 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 400 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 800 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 1600 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 3200 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 6400 x x x x x
x x x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 12800
Not Available
x x
Not Available
x
x x x
  Sony A900 Canon 5D Mark II Canon 50D Nikon D90 Nikon D700
ISO 25600
Not Available
x
Not Available
x
x x

 

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