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| Sony A900 versus Canon 50D Summary | ||||
These two cameras are clearly in different classes, the Sony A900 with its full-frame sensor at 24.6-megapixel resolution, the Canon 50D with an APS-C-sized 15.1-megapixel sensor, yet there are several areas in our testing where the 50D proved a worthy competitor. It outperformed the Sony in color accuracy and delivereding the best white balance score in our test group. The Canon is also far more affordable, with a $1600 price difference. That said, the Canon 50D isn't actually that much smaller or lighter than the Sony A900, which delivers far superior resolution, long exposure and dynamic range results, offers more extensive user customization options and a great optical viewfinder. |
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Canon 5D Mark II Comparison | Page 14 of 18 | Nikon D90 Comparison | |
| Comparison Specifications | ||
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| Sony A900 | Canon 50D | |
| Price | $2999 (body only) | $1399 (body only) |
| Dimensions |
6.25 x 3.25 x 4.63 in./156.3 x 81.9 x 116.9mm
30 oz./ 850g |
5.7 x 4.2 x 2.9 in./145.5 x 107.8 x 73.5mm 25.7 oz./730g |
| Resolution | 24.6-megapixel | 15.1-megapixels |
| Processor | Dual BIONZ | DIGIC 4 |
| Sensor size/type | 35.9 mm x 24mm (35mm Full-frame) Exmor™ CMOS image sensor | 22.3mm x 14.9mm CMOS |
| Kit Lens | none | 28-135mm f/3.5-5.6 IS USM |
| Viewfinder | TTL, 0.74x magnification, 100% coverage | Eye-level pentaprism, 0.95x magnification, 95% coverage |
| LCD | 3.0" TFT Xtra Fine™ (921k pixels) LCD | TFT color, liquid-crystal monitor, 3 inch, 920,000 pixels |
| Live View | No | Manual focus Autofocus (Live View image interrupted for AF): Quick mode, Live mode, Live Face Detection mode |
| Shutter Speed | 1/8000 second - 30 seconds, bulb | 1/8000 to 30 sec., bulb |
| Burst Speed | 5 fps max | Max. 6.3 shots/sec. |
| Autofocus | Dual-cross 9 point AF w/ 10 assist focus points | 9 AF points (Cross-type) |
| Exposure Compensation |
Manual: ±3 stops in 1/3- or 1/2-stop increments | Manual: ±3 stops in 1/3- or 1/2-stop increments (can be combined with AEB) |
| Noise Reduction | High ISO (three level), Long Exposure | High ISO (three levels), Long Exposure |
| ISO range | ISO 100-6400 | ISO 100-3200 (in 1/3-stop increments), expandable to ISO 100-12800 |
| Flash | External only | Retractable, auto pop-up flash |
| Media Format | JPEG, RAW, cRAW (compressed RAW) | JPEG, RAW (14-bit, Canon original), sRAW, RAW+JPEG |
| Movie Mode | No | No |
| Media Type | CF (UDMA compatible), Memory Stick Duo | CF, UDMA compatible |
| Connections | DC in, HDMI, Proprietary USB/video out | USB, Video out, HDMI, WFT-E3A extension system |
| Other Hardware | Remote Commander wireless remote included | No |
| Performance Score Specifications | ||
| Sony A900 | Canon 50D | |
| Color | 11.00 | 14.87 |
| Long Exposure | 12.19 | 10.24 |
| White Balance | 10.53 | 15.3 |
| Noise | 6.68 | 6.48 |
| Resolution | 10.64 | 8.28 |
| Shot to Shot | 4.44 | 6.06 |
| Dynamic Range | 7.99 | 6.98 |
| Movie | 0 | 0 |
Performance
Especially considering the $1600 price gap between the two cameras, the Canon 50D produced some impressive comparative results, besting the Sony A900 in two color-related categories (color accuracy and white balance) and coming close in our image noise testing under studio lights (though lagging in the long exposure testing in subdued lighting). The Canon 50D offers a snappy 6 shots per second tested burst mode performance shooting at 15 megapixels, but the Sony is remarkably close with 4.44 fps at 24.6 megapixels.
Components
With it 24.6-megapixel full-frame sensor, the Sony A900 is clearly in a different class of camera when it comes to producing photo files that withstand tremendous enlargement and/or cropping with minimal image deterioration. If you're in a dark room, though, the Canon 50D does offer a convenient pop-up flash, versus the Sony expectation that you'll carry an external flash along with the already-bulky camera and lens. Both cameras provide 3-inch LCD screens with 921,000-dot resolution, so going with the Canon doesn't mean compromising on that score, though the excellent Sony A900 viewfinder is much more comfortable to use, and provides a more complete picture of the picture at hand.
Handling
The Canon 50D is a middleweight contender, not all that much lighter or smaller than the Sony A900 despite their different sensor configurations. However, we do prefer the grip on the 50D, particularly with the more agreeable button positioning that lets you reach key controls without repositioning your hand the way the Sony A900 demands. We also like the circular control wheel mounted on the back of the 50D, which rotates more smoothly and comfortably than the more conventional thumb-wheel controls on the A900.
Controls
The expanded ISO range of the Canon 50D gives it an apparent advantage, but given the noise levels when shooting at ISO 12800, that edge is more mathematical than practical. The two cameras match up spec for spec when it comes to shutter speed, exposure compensation and noise reduction capabilities, though the Canon 5D does offer the Live View feature the Sony lacks. We like the Canon menu system, which works efficiently and looks great on the high-res screen, but the Sony A900 Quick Navi system, which makes all the key settings accessible from a single LCD display, gives Sony the edge in this regard, particularly with the addition of automatic screen orientation rotation, a major boon when shooting in portrait mode.
| ISO Examples | ||
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| Sony A900 | Canon 50D | |
| ISO 100 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 200 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 400 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 800 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 1600 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 3200 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 6400 | ![]() |
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| Sony A900 | Canon 50D | |
| ISO 12800 | Not Available
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| Sony A900 | Canon 50D | |
This section of the review was updated with revised results and scores on July 15, 2009. These changes did not affect the relative ratings of the reviewed cameras.
| Page 14 of 18 | Nikon D90 Comparison | ||