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Introduction
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01.Physical Tour
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02.Testing/Performance
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03.Components
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04.Design / Layout
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05.Modes
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06.Control Options
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07.Image Parameters
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08.Connectivity / Extras
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09.Overall Impressions
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10.Conclusion
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11.Sample Photos
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12.Specs / Ratings
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13.Comments
Samsung NV40
Previous: Page 1
Physical TourNext: Page 3
Components
Exaggerated White Balance Errors
Auto WB - Flash Illumination
Auto WB - Fluorescent Illumination
Auto WB - Daylight illumination
The NV40 did very well across our entire testing schedule, particularly in manual noise and automatic white balance tests. The color result was good, but not amazing, and the resolution, low light, video and dynamic range results were all superior to the cameras we used for comparison purposes. However, the time from starting the camera to the first shot wasn't as fast as it could be, and in general the speed of the camera was average.
Color (8.33)
One of the most important features of a camera is how well it captures the color of the world around you, so the sky is the right blue, and the grass comes out that proper shade of green. To test this, we shoot the standardized Gretag Macbeth color chart under very strictly controlled lighting conditions. The captured image is then run through Imatest, an application designed to analyze a number of image parameters, including comparing known color values to the color of a test photograph. This measures the difference between what the camera captures, and what the actual color is. The image below shows this result, where the outer square is the captured color, the inner square is that color with the luminance value corrected by Imatest, and the small rectangle on the right is the ideal color.


The Imatest software also produces a second graph, which shows the difference between the captured and ideal colors as a vector. The squares represent the ideal value, and the circles what was actually captured, with a longer line equating to less accurate colors.

Short lines equate to good colors
The NV40 performed well in this section, especially with skin tones, which are important for capturing accurate portraits. It outperformed both the Pentax Optio Z10 and Olympus Stylus 830. There were some small problems in the blues and browns, but these were relatively minor, especially considering the price the camera. Cheap point-and-shoot models can sometimes fare poorly in this test, but the NV40 showed good color fidelity.

The megapixel rating is often misunderstood to equal image resolution. Actually, final image resolution depends not just on the image sensor’s megapixels, but the lens quality, digital processing and much more. To assess the true detail-capturing performance of a camera, we shoot an industry-standard resolution chart under specific lighting conditions to create a series of test images, which are then analyzed by Imatest to produce a resolution value measured in line widths per pixel height (lw/ph), which is a count of the number of alternating black and white lines the camera can capture horizontally and vertically.

The NV40 captured an impressive amount of detail
The NV40 produced a top score of a horizontal resolution of 2288 lw/ph horizontal and 2055 lw/ph vertical. This is an impressive result; putting the NV40 well above the cameras we're comparing it with. For a $280 camera, the NV40 produced a clear image, with only minor over-sharpening. This means that your photos will contain a large amount of detail, and allow you to zoom and crop your picture while still retaining image quality.

When cameras shift to a higher ISO to take photos in low light conditions, noise becomes more apparent. Noise is a staticky effect that forms in an image when high light sensitivity settings are used, and areas of the image can appear mottled. To test the level of noise on the NV40 we used Imatest to analyze images taken for the full range of ISOs. The NV40 goes from ISO 80 to ISO 1600 at full resolution. ISO 3200 is available but only with reduced 3-megapixel image size, which falls outside our test parameters.


The auto noise test is undertaken by setting the camera to Auto ISO and letting it decide what is the best setting to shoot a well-lit scene. Keep in mind that to minimize noise, the camera should try and shoot at the lowest ISO possible. The NV40 settled on ISO 200, even though the scene was bright enough for ISO 100. That said, the overall excellent noise levels with this camera means that even at a slightly higher ISO than absolutely necessary it still manages to score better than many others, especially the Pentax Optio Z10, so when shooting in automatic mode the NV40 will produce an image without much noise.

White Balance (10.88)
A camera's white balance score is a measure of how well it can compensate for the altered hues cast by different light sources. It needs to be able to recognize a white object under the yellow cast of an incandescent bulb or the light of the sun. Users can let the camera adjust for lighting conditions automatically, set it to various presets, take a manual white balance reading by shooting a white card or paper, or, with some cameras, enter the Kelvin value that matches the lighting environment. The NV40 doesn't offer this last option, but has a decent number of white balance settings along with manual setting, which is good to see on a relatively cheap point-and-shoot camera. We test the white balance levels of the camera by shooting under the appropriate light sources with both automatic and preset modes. This result is shown below in an exaggerated form – you will not see discrepancies to this level while actually using the NV40.
The NV40 has excellent automatic white balancing. The only area with any problem is the flash white balance, as you can see from the images below. The auto fluorescent and tungsten settings were both impressive, capturing a color remarkably close to its actual value. The tungsten result is particularly pleasing, as many cameras have trouble with tungsten lighting, which is the setting that is used for incandescent lights that are found in most homes. These fine results across the board mean that the hue of your image will be very accurate, regardless of lighting conditions. This result easily bettered the comparison cameras: the Pentax Optio Z10, Panasonic Lumix DMC-LZ8, Olympus Stylus 830, even the Canon Powershot SD1100 IS which also did very well in this section.
Unfortunately, the NV40 did not fare as well when using preset white balance settings. While the score it received is not terrible, it was not at the same level as the automatic setting. This camera fared worse on this test than the Powershot SD1100 IS and Stylus 830. Because of this, we would recommend leaving the camera on automatic white balance while shooting, as it produces excellent color accuracy.
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Exaggerated White Balance Errors (Presets) |
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Samsung NV40 White Balance Scores

Still Life
To allow an easy visual comparison between cameras, we shoot two standard scenes under everyday fluorescent lights: our happily married couple and a still life starring Rosie the Riveter. Each of these images was shot at every available ISO on automatic settings. Click on the images below to view full size versions, but this may take some time as they are large files.
Low Light (6.39)
We tested the NV40’s low light performance in two stages. First, we shoot the Gretag Macbeth chart at light levels that correspond to commonly occurring brightnesses. 60 lux is about as bright as a room lit by two small lamps, 30 lux corresponds to a room lit by a single 40 watt bulb, 15 lux is the light provided by computer monitor or television screen, and 5 lux equates to a single candle in a dark room. All shots were taken at ISO 400.
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Low Light Tests |
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60 Lux |
30 Lux |
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15 Lux |
5 Lux |
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The NV40 had some trouble in this stage, and the color accuracy dropped noticeably at 30 lux and below. If you're shooting in very dark conditions, you may notice that the color in your shots doesn't come out particularly well. However, in the second half of our low light testing, the NV40 fared much better. This latter test involves taking long exposures, and running the resulting images through Imatest. Normally, we test from one second to 30 seconds, but we were unable to produce reliable results for exposures longer than 10 seconds, given the limited manual controls offered by the NV40. However, at the exposures we did test, the NV40 performed above average with minimal noise and good color accuracy.
Samsung NV40 Low Light Scores
Dynamic range measures how accurately a camera can reproduce the complete spectrum, from white to black, differentiating between the very dark and very light in a single shot. This is most important in high-contrast scenes, to make sure that blacks stay black and the whites stay white in the photo. To test this we photograph a backlit Stouffer chart at all ISOs, which shows a series of tabs running from bright white to pure black. The more tabs the camera can distinguish, the higher the dynamic range score.

Once again, the NV40 performed well, and was consistently able to capture a wide range of grays. We expect to see a certain amount of loss at the higher ISOs, and while the NV40 is no exception, it did better than most other compact point-and-shoots. Once again, it has managed to outperform our comparison cameras.

Digital camera speeds have improved dramatically over the last few years, but the time between shots, or the time from startup to first being able to take a photo can still make all the difference when trying to grab that perfect shot.
The NV40 took, on average, 2.76 seconds to go from being completely powered off to taking the first shot. This is a mediocre result, and slower than many other cameras, and will make a difference if you are trying to grab the camera quickly for a picture.
Shot-to-Shot (9.43)
The NV40 has two shooting modes to capture quickly occurring action. The fastest option is Motion Capture, which will take 7 shots per second, but only at a resolution of 1024x768, and a maximum of 20 shots. At full image size, there's High Speed, which takes 3 images in quick succession. The manual says this mode shoots 2.5 frames per second, but our tests only showed a shooting speed of 1.75 frames per second, a significant difference. What the manual doesn't mention is that High Speed mode is only available at ISO 400 or lower.
Shutter-Shot (10.00)
The time from the moment you press the button to the moment a shot was taken used to be a major problem with point-and-shoot cameras. With the NV40, the delay is so small as to be immeasurable, less than 0.2 seconds.
Processing (4.81)
Video Performance (6.58)
The NV40 shoots video at two sizes, 640x480 (VGA) and 320x240, both at either 30 or 15 fps. It stores the movies in MPEG 4 (.avi) format, which is known for taking up only small amounts of storage space. We tested the NV40 at full resolution and highest frame rate to see just how well it performed.
Bright indoor light – 3000 Lux
We illuminate our test charts to a very bright 3000 lux and stabilize the camera on a tripod to simulate optimal recording conditions. Frames from the resulting video are exported and run through Imatest to judge color accuracy. The NV40 scored slightly above average for this test, but not exceedingly well.

Low light – 30 Lux
Just because the sun goes down doesn’t mean you want to stop recording, so we test the color fidelity at 30 lux too. Most point-and-shoot cameras struggle a bit when it comes to recording videos in the darkness, and there is a noticeable quality drop with the NV40. It’s an average result, similar to what we saw on the Canon SD1100, but better than the Lumix DMC-LZ8.

Resolution (3.20)
We also tested the resolution of the captured video from the NV40, which gave an above average performance in this test. It captured 618 lw/ph horizontal and 583 lw/ph vertical, which is better than the Powershot SD1100 IS, Optio Z10 and Stylus 830. It’s not fantastic resolution, but low scores are par for the course in this test, as compact point-and-shoot cameras are simply not on the same level as camcorders.

We took the NV40 into the streets of Boston to shoot fast-moving cars, and see how well the camera captures speeding objects. The results were good, as colors came out bright, and there was minimal blurring and noise, and no stuttering. While a decent result for a compact camera, don’t expect the video to look good on an HDTV, as it’s still quite low resolution.
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