or Browse:
Type
Brand
Price
Need

Panasonic Lumix DMC-GH1

Digital Camera Review

Previous: Page 7

Image Quality

Next: Page 9

Color
Page 8

Sharpness

Sharpness was good, with minimal chromatic aberration. Overall scores were mid-range compared to SLRs.

The highest sharpness results were found when shooting at the widest angle with the aperture wide open, producing a LWPH measurement of 1912 horizontally and 2007 vertically.While the typical variation of falling sharpness midway out from the center and rising again near the edges holds true, overall sharpness remains fairly consistent across the lens, without the severe trouble spots we sometimes see in our analysis. More on how we test sharpness.

Image Sharpness and Chromatic Aberration
Focal Length:
Standard Resolution Chart

Click blue squares to change sample crops below

Top Left Top Right Center Bottom Left Bottom Right
f/4 f/9 f/22

Our tests of the GH1 image stabilization system revealed some benefits, though not a radical improvement. On the plus side, having image stabilization on never had a negative impact on resolution (which frequently occurs), and when the camera is shaking a lot and the shutter speeds are relatively fast (above 1/60 second), the system is quite effective. At slower shutter speeds and high camera shake, though, there was essentially no effect. And shooting with lower shake levels (about what you’d find when holding the camera with both hands), there was a slight benefit gained at slower shutter speeds.

We test a camera’s image stabilization by mounting it in a custom-designed motion-control rig that produces predictable, computer-controlled movements. A slanted-edge test chart is shot multiple times at a range of shutter speeds, both with the rig set to high shake and low shake, and with image stabilization turned on and off. The resulting images are analyzed using Imatest software to determine how effectively the image stabilization system improves actual resolution results.

The GH1 uses optical image stabilization, offering three image stabilization modes. Mode 1 employs image stabilization at all times when the camera is in Record mode, and Mode 2 only uses the system when the shutter button is pressed. Mode 3 compensates only for up and down movements, to allow smooth horizontal panning. Of course, stabilization can also be turned off altogether, using a switch on the lens barrel.

The low shake setting reflects typical shooting situations, when you’re holding the camera with two hands. As shown in the graphs above, the system proved effective at limitng horizontal shake at the two shutter speeds that generally mark the lower limits you’d expect to shoot handheld without flash, though at other speeds and for vertical shake the system didn’t offer much improvement.

When we cranked up to shake to high (as if you were trying to shoot one-handed, or while moving), there are significant effects on horizontal shake at 1/250 and 1/125 second shutter speeds, but not much else to brag about.

Image Stabilization Comparison Table Expand
Low Shake
IS Off
Low Shake
IS On
High Shake
IS Off
High Shake
IS On
1/500
1/250
1/125
1/60
1/30
1/15
1/8

The areas where the system proved effective, and the fact that it didn’t cause problems elsewhere, earned the GH1 a respectable if unexciting score for image stabilization. (We don’t have image stabilization scores for the Nikon D90, hence the missing data in our comparison chart.)

Stabilization Score Comparison
2
4
6
8
10
14
Stabilization Score

Shop for the Panasonic DMC-GH1

Advertisement

Shop for the Panasonic DMC-GH1

Loading Recently Viewed Products
Advertisement

Latest News
& Reviews

Top Rated Digital SLRs

  • Canon EOS 5D Mark III
    Canon EOS 5D Mark III
    $3,499.00
    1

    Canon EOS 5D Mark III

    We have finally put the Canon 5D Mark III through a full, rigorous performance test and it sits among the best DSLRs we've ever tested. Read our full review to see how Canon has improved in all the areas the 5D Mark II struggled. Read full 7-part review

    $3,499.00
    Types
    Any Megapixels
    0,8
    < 8 Megapixels
    8,10
    8 to 10 Megapixels
    10,15
    10 to 15 Megapixels
    15,
    > 15 Megapixels
  • Sony Alpha A77
    Sony Alpha A77
    $1,999.99
    2

    Sony Alpha A77

    Sony's blazing fast, top-of-the-line SLT A77 has just about everything we could ask for in a modern system camera. Read full 7-part review

    $1,999.99
    Types
    Any Megapixels
    0,8
    < 8 Megapixels
    8,10
    8 to 10 Megapixels
    10,15
    10 to 15 Megapixels
    15,
    > 15 Megapixels
  • Nikon D5100
    Nikon D5100
    $799.00
    3

    Nikon D5100

    The D5100 is the latest entry-level DSLR from Nikon, with full 1080/30p video, an articulated LCD, and the same image sensor as the D7000. It lacks an internal focus motor, but we found it produced some of the most accurate colors we've seen yet. Read full 7-part review

    $799.00
    Types
    Any Megapixels
    0,8
    < 8 Megapixels
    8,10
    8 to 10 Megapixels
    10,15
    10 to 15 Megapixels
    15,
    > 15 Megapixels
    16.2
  • Sony Alpha NEX-7
    Sony Alpha NEX-7
    $1,349.99
    4

    Sony Alpha NEX-7

    We've put the 24.3-megapixel Sony NEX-7 through our full battery of tests, and the writing's on the wall: the NEX-7 is the best mirrorless camera yet. Read full 7-part review

    $1,349.99
    Types
    Any Megapixels
    0,8
    < 8 Megapixels
    8,10
    8 to 10 Megapixels
    10,15
    10 to 15 Megapixels
    15,
    > 15 Megapixels
  • Fujifilm X-Pro1
    Fujifilm X-Pro1
    $1,700.00
    5

    Fujifilm X-Pro1

    Fujifilm's old-school X-Pro1 is not only the company's best camera, but one of the best mirrorless models we've ever tested. Read full 7-part review

    $1,700.00
    Types
    Any Megapixels
    0,8
    < 8 Megapixels
    8,10
    8 to 10 Megapixels
    10,15
    10 to 15 Megapixels
    15,
    > 15 Megapixels

Features

Advertisement
Panasonic Lumix DMC-GH1
Digital Camera Review

Previous: Page 7

Image Quality

Next: Page 9

Color