Panasonic DMC-GH1 Digital Camera Review
$1139.00

Panasonic DMC-GH1

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4.2 The Lumix GH1 is the first micro four-thirds camera to offer the extensive camcorder-style controls and continuous auto focus that video-enabled SLRs to date have lacked.
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Panasonic DMC-GH1

  Nikon D90 Comparison Summary  
x The first SLR to offer video recording capability, the Nikon D90 version of this feature suffers in comparison to the Panasonic GH1 in many ways, including lower resolution, a maximum clip size of 5 minutes, a distinct wobble effect when the camera is moved quickly, limited recording controls and the lack of autofocus while shooting..On the still photo front, though, the D90 is a superior choice, with better results in nearly every image quality lab test  a more sophisticated system for manual control and a body built to take more punishment in rugged shooting situations. The only still photo advantage we found for the Panasonic is its exemplary Live View autofocus system.
x Nikon D5000 Comparison Page 18 of 21 Olympus E-30 Comparison x

 

  Comparison Specifications
  x x
  Panasonic GH1 Nikon D90
Price $1499.95 with 14-140mm OIS lens   $999 (body only)  
Dimensions 4.88 x 3.29 x 1.78in/124 x 90 x 45mm
13.6 oz/385g
  5.2 x 4.1 x 3.0 in./132 x 103 x 77mm
22 oz./ 620g
Resolution 12.1 megapixels   12.3-megapixels 
Processor Venus Engine HD EXPEED
Sensor size/type 17.3mm x 13.0mm Live MOS sensor   15.8 x 23.6mm CMOS  
Kit Lens 14-140mm OIS   AF-S DX Zoom-NIKKOR 18-105mm f/3.5-5.6G ED VR 
Viewfinder Live View electronic viewfinder    0.94x magnification, 96% coverage  
LCD 460,000-dot, 3.0 inch articulated screen   Super density, 3 inch, 920,000 pixels  
Live View Contrast Autofocus, 23-area, 1-area,tracking, face detection    Manual focus
Autofocus: Face-priority, wide area, normal area
  
Shutter Speed 1/4000 sec to 60 sec, bulb 1/4000 to 30 sec., bulb 
Burst Speed Max 3 shots/sec   Max. approx. 4.5 shots/sec.   
Autofocus Contrast AF   11 focus points (including 1 cross-type sensor) 
Exposure
Compensation
±3 EV in 1/3 stop increments   ±5EV  
Noise Reduction High ISO (5 levels), Long Exposure   High ISO (three levels), Long Exposure 
ISO range 100-3200 in 1/3 or 1 EV increments   ISO 200-3200 (in 1/3, 1/2 or 1-stop increments), expandable to ISO 100-6400 equivalent 
Flash Built-in, pop-up   Retractable, auto pop-up flash 
Media Format Still: JPEG, RAW
Video: AVCHD and Motion JPEG
  Still: JPEG, RAW (12-bit NEF) RAW+JPEG
Video: AVI
Movie Mode Yes, maximum resolution 1080p @24fps Yes
Media Type SD/SDHC   SD memory card, SDHC memory card 
Connections USB, NTSC, HDMI   HDMI, NTSC, Hi-speed USB  
Other Hardware DC power cable No

 

  Comparison Scores
  Panasonic GH1 Nikon D90
Color 10.78     14.98 
Long Exposure 5.31   11.05 
White Balance 8.39    9.36   
Noise 5.60   6.74 
Resolution 9.02     10.47 
Shot to Shot 3.16   4.44
Dynamic Range 7.76   7.47 


NOTE: We updated our testing and scoring procedures in January 2009. For comparison purposes, we re-tested several cameras we'd reviewed in 2008, producing the score shown in the chart above for the Nikon D90. However, the scores in the original reviews for these re-tested cameras remain unchanged, for consistency's sake.

Performance
Our still image testing gives the Nikon D90 a considerable advantage over the Panasonic GH1, with superior results in every category except dynamic range, and major differences in color accuracy,  long exposure performance and burst mode speed. We tested the D90 before our new video testing system was in place, so we can't compare the results statistically, but the experts at our sister site, CamcorderInfo.com, say the D90 video is very similar to what they shot with the D90, with the same limitations of short clip length (no more than 5 minutes), lower resolution and frame rate (720p at 24 fps for the Nikon versus 1080p at 24 fps and 720p at a silky smooth 60 fps). The Nikons also suffer from considerable wobblilng in the video if the camera is moved quickly while shooting, which wasn't found in the Panasonic video.

Components
The D90 offers features suited to a more advanced still photographer, including two control dials for easy adjustments when shooting in manual mode, a big bright pentaprism viewfinder and a monchrome LCD readout on top (particularly useful when shooting on a tripod). The D90 LCD is a thing of beauty, with 920,000-dot resolution and excellent color, though it lacks the flexibility of the pivoting 460,000-dot screen on the Panasonic. As for lenses, the 14-140mm kit lens provided with the Panasonic shot very well, but Nikon owners have a wealth of lens choices at their disposal, Panasonic shooters only a handful of fully compatible Micro Four Thirds options.

Handling
The D90 is a larger camera, though we don't find that a problem (and with that big lens mounted, the GH1 is no featherweight either). The textured grip on the D90 is clearly superior to the plastic GH1 finish, and the buttons and dials have a better feel. Plus, there's no video record button near your thumb to accidentally trigger a video recording session.

Controls
The D90 has a wider ISO range and a significantly higher burst shooting rate (a measured 4.5 shots per second versus 3.1 for the Panasonic). When it comes to Live View autofocus, the GH1 leaves the D90 in the dust, but when you hold the D90 up to your eye to take a shot, it focuses nearly instantly. In video mode, of course, the Panasonic shines, with a full suite of manual controls and video adjustment options versus the essentially point-and-shoot D90 video system, plus the autofocus during shooting capability that the D90 (along with all the other video-enabled SLRs) sorely lacks.

  ISO Examples
  x x
  Panasonic GH1 Nikon D90
ISO 100 x x
x x
  Panasonic GH1 Nikon D90
ISO 200 x x
x x
  Panasonic GH1 Nikon D90
ISO 400 x x
x x
  Panasonic GH1 Nikon D90
ISO 800 x x
x x
  Panasonic GH1 Nikon D90
ISO 1600 x x
x x
  Panasonic GH1 Nikon D90
ISO 3200 x x
x x
  Panasonic GH1 Nikon D90
ISO 6400   x
  x

NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.

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