Panasonic DMC-GH1 Digital Camera Review

Panasonic DMC-GH1

Digital Camera Review

4.2 The Lumix GH1 is the first micro four-thirds camera to offer the extensive camcorder-style controls and continuous auto focus that video-enabled SLRs to date have lacked.
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Panasonic DMC-GH1

  Canon Rebel T1i Comparison Summary  
x One of the two sub-$1000 video-enabled SLRs available today, the Canon Rebel T1i does a decent job shooting video, with video color and noise performance roughly equal to the GH1, but at 1080p the Canon only captures 20 frames per second, which doesn't look smooth. The Panasonic offers far more control over video shooting plus an external mic jack, both major advantages. For shooting stills, the GH1 is far superior when it comes to sharpness, though the Canon reproduces color far more accurately. And while there is a price chasm between the $900 T1i and the $1500 GH1, this is largely a result of the longer-zoom, ultra-quiet 10x zoom that ships with the GH1.
x Video Features Page 16 of 21 Nikon D5000 Comparison x

 

  Comparison Specifications
  x x
  Panasonic GH1 Canon Rebel T1i
Price $1499.95 with 14-140mm OIS lens $899.99
(w/ 18-55mm IS lens)
Dimensions 4.88 x 3.29 x 1.78in/124 x 90 x 45mm
13.6 oz/385g
  5.1 x 3.9 x 3.1 in/129.1 x 98.9 x 77.9mm
16.9 oz/ 480g
Resolution 12.1 megapixels   15.1-megapixels  
Processor Venus Engine HD   DIGIC 4  
Sensor size/type 17.3mm x 13.0mm Live MOS sensor   22.3mm x 14.9mm (APS-C size) 
Kit Lens 14-140mm OIS   18-55mm IS  
Viewfinder Live View electronic viewfinder   Eye-level pentamirror, 95% field of view, 0.87x magnification 
LCD 460,000-dot, 3.0 inch articulated screen   920,000-dot, 3 inch LCD  
Live View Contrast Autofocus, 23-area, 1-area,tracking, face detection    Autofocus (One-Shot AF): Live mode, Face Detection Live mode, Quick mode; Manual focus (5x or 10x manually) 
Shutter Speed 1/4000 sec to 60 sec, bulb   1/4000 sec. to 30 sec., bulb  
Burst Speed Max 3 shots/sec   Max. 3.4 shots/sec.  
Autofocus Contrast AF   9 AF points (center AF point is cross-type)  
Exposure
Compensation
±3 EV in 1/3 stop increments   ±2 stops in 1/3- or 1/2-stop increments  
Noise Reduction High ISO (5 levels), Long Exposure   High ISO (three levels), Long Exposure 
ISO range 100-3200 in 1/3 or 1 EV increments   ISO 100-3200 (12,800 extended) in 1 stop increments  
Flash Built-in, pop-up   Retractable, auto pop-up, E-TTL II flash  
Media Format Still: JPEG, RAW
Video: AVCHD and Motion JPEG
  Still: JPEG, RAW, RAW+JPEG
Video: MOV
Movie Mode Yes, maximum resolution 1080p @24fps   Yes, maximum resolution 1920 x 1080 @20 fps 
Media Type SD/SDHC SD, SDHC
(class 6 or faster required for video)
Connections USB, NTSC, HDMI   USB, Video out, mini-HDMI out 
Other Hardware DC power cable No

 

  Comparison Scores
  Panasonic GH1 Canon Rebel T1i
Color 10.78   15.56 
Long Exposure 5.31   10.42 
White Balance 8.39   8.64  
Noise 5.60   6.54 
Resolution 9.02   5.83 
Shot to Shot 3.16   3.45 
Dynamic Range 7.76   5.65 

 

  Video: Comparison Scores
  Panasonic GH1 Canon Rebel T1i
Video: Color & Noise 20.73 20.76
Video: Motion & Sharpness 19.77 19.10
Video: Low Light Performance 23.07 18.90
Video Features 27.75 13.65
CamcorderInfo.com Exclusive - Video testing on the Panasonic GH1 is provided by CamcorderInfo.com, the world leader in camcorder and video reviewing.

Performance
These two cameras had significant problems in different still image testing categories. The Canon Rebel T1i came up short in sharpness, producing noticeably soft images, while the Panasonic GH1 had difficulty capturing colors accurately, in both our color and white balance testing. The Panasonic had more image noise than the Canon, and that's with the advantage of some noise reduction processing. However, when shooting in Live View mode, the Canon is as hopeless as the other SLRs we've tested when shooting fast action, while Panasonic has created a Live View autofocus system that works quickly and reliably, a major accomplishment. As for video, the Canon is problematic capturing motion at 1080p, since it runs at just 20 frames per second, though 720p video is smooth, and video color, noise and sharpness are comparable between the two cameras.

Components
The Canon may have a higher megapixel count but this spec is deceptive: the Panasonic takes sharper pictures. We do love the 920,000-dot 3-inch LCD on the Rebel T1i, but the 460,000-dot screen on the GH1 is hinged on the left, allowing it to pivot into a variety of shooting positions, which we found particularly helpful when shooting video. The GH1 electronic viewfinder is very good as electronic viewfinders go, but we found it lagged when we moved quickly, particularly in low light, and far prefer the traditional optical viewfinder on the T1i. However, the Canon lacks a dedicated autofocus assist lamp, relying on burst from the built-in flash for low-light focusing, which makes indoor candid shots and baby photography difficult compared to the effective AF assist lamp on the GH1. Both cameras have HDMI ports for connecting directly to a high-def TV, though Panasonic TV owners get the bonus ability to control video and still playback using the TV remote.

While we were very happy with the 14-140mm kit lens provided with the GH1, there's an iincontrovertible advantage to having access to the full array of Canon lenses versus the slim pickings in Micro Four Thirds format.

Handling
The Canon body may be slightly larger but it feels unpleasantly light when shooting, while the Panasonic feels solid and substantial in your hands. The major handling problem with the GH1 comes from the positioning of the movie recording button on the top right thumb rest—it's all too easy to accidentally press it.

Controls
While the official ISO range of the two cameras is the same 100-3200, the Canon T1i can go all the way to ISO 12,800 in extended range shooting, and while that's rarely useful due to noise, ISO 6400 can be a nice option in a low-light pinch. The Canon is also marginally faster, with a 3.4 shot per second tested burst speed versus 3.16 for the Panasonic, though neither is a speed demon. We like both menu systems for their on-screen clarity and logical organization, though Canon does a better job keeping all your options visible on screen by using more tabs, where the Panasonic requires scrolling down through multiple screens. The big Panasonic control advantage is in video shooting, where you get full manual control of aperture and shutter speed plus autofocus while shooting, a major feature missing from the T1i.

  ISO Examples
  x x
  Panasonic GH1 Canon Rebel T1i
ISO 100 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 200 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 400 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 800 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 1600 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 3200 x x
x x
  Panasonic GH1 Canon Rebel T1i
ISO 6400   x
  x
  Panasonic GH1 Canon Rebel T1i
ISO 12800   x
  x
  Panasonic GH1 Canon Rebel T1i

NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.

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