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Panasonic Lumix DMC-GF1

Digital Camera Review

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Introduction

Next: Page 2

Design
Page 1

Sample Photos

In the following sample images, clicking on the larger image will download the full resolution original. Each photo is accompanied by four actual-size crops.

Waterfront Sample

Focal length: 14mm
Aperture: f/7.1
Shutter: 1/500
ISO: 100

Shot with the kit lens at its widest setting, on a somewhat overcast day, with white balance set to daylight, film mode standard, using center-weighted metering and +0.7 EV exposure compensation.

We’re impressed with the solid sharpness from edge to edge, with undistorted straight lines and minimal color fringing.

Automotive Sample

Focal length: 20mm
Aperture: f/5.6
Shutter: 1/160
ISO: 200

Shot in standard film mode on a fairly bright day, in program mode using auto white balance and multiple metering. This is a finely detailed, well balanced exposure.

Noise Reduction Detail Sample

Focal length: 31mm
Aperture: f/10
Shutter: 1 second
ISO: 3200

With a relatively high native noise level, the ability to use the GF1’s noise reduction system without losing out on fine detail is critical. We tripod-mounted the camera, set a 1-second exposure at ISO 3200, and adjusted the high ISO noise reduction setting in standard film mode from -2 through +2. As shown in the full-size crops below, the system effectively lowers image noise and doesn’t obliterate fine lines as we’ve seen with some other cameras.

Noise reduction at its lowest setting (NR-2)

NR-0 (the default)

NR +2 (the maximum)

Film Mode Samples

Focal length: 37mm
Aperture: f/8
Shutter: 1/320
ISO:100

We shot this sign with autumn decorations using each of the nine film modes, using automatic white balance and multiple metering. The standard mode image is on the left, and can be clicked to open a full-sized version in a separate window.

The dynamic and vibrant modes do add pop to the ribbons, but have an unfortunate effect on the greens (which are nicely rendered in nature mode). We’re not sure where washed-out nostalgic mode would be useful, but we really like the tone and grey values in the three black and white film modes.

Dynamic Increased saturation and contrast

Vibrant Saturation and contrast ramped up more than in Dynamic mode

Nature Brighter reds, greens and blues

Smooth Contrast lowered

Nostalgic Saturation and contrast lowered

Black and White Standard Default for black and white photos

Black and White Dynamic Increased contrast

Black and White Smooth Contrast decreased

Close-Up Sample

Focal length: 45mm
Aperture: f/9
Shutter: 1/640
ISO: 400

We boosted shutter speed by ramping up the ISO to 400 shoot this nautical detail handheld and leaning forward a bit perilously. The diverse textures are nicely reproduced, the lettering on the right metal fastening comes through clearly, and the white rope maintains a good tonal range.

Low Light Sample

Focal length: 24mm
Aperture: f/4.8
Shutter: 1/13
ISO: 3200

Shooting this fabric flower arrangement at the top ISO 3200 setting under low light conditions (around 40 lux) produces a lot of image noise, but also a lot of detail, as seen in the bar code label.\

The rightmost crop was taken from a shot at ISO 1600, preserving more of the fabric detail.

In the following sample images, clicking on the larger image will download the full resolution original.

Still Life Comparisons
Panasonic Lumix DMC-GF1
Olympus PEN E-P1
Panasonic Lumix DMC-GH1
Canon EOS Rebel T1i
Nikon D5000
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO Low
ISO 100
ISO 100
ISO 100
ISO 100
ISO 200
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 200
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 400
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 800
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 1600
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 3200
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 6400
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000
ISO 12800
Panasonic DMC-GF1 Olympus E-P1 Panasonic DMC-GH1 Canon T1i Nikon D5000

NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.

The following are 100% crops taken from the still life photos above. You can click on the thumbnails above to view a full-size version of the entire photo.

Noise Comparisons
Panasonic Lumix DMC-GF1
Olympus PEN E-P1
Panasonic Lumix DMC-GH1
Canon EOS Rebel T1i
Nikon D5000
Panasonic Lumix DMC-GF1 Olympus PEN E-P1 Panasonic Lumix DMC-GH1 Canon EOS Rebel T1i Nikon D5000
ISO Low
ISO 100
ISO 100
ISO 100
ISO 100
ISO 200
ISO 100
ISO 100
ISO 100
ISO 100
ISO 200
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 200
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 400
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 800
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 1600
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 3200
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 6400
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000
ISO 12800
Panasonic Lumix DMC-GF1Olympus PEN E-P1Panasonic Lumix DMC-GH1Canon EOS Rebel T1iNikon D5000

NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.

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Panasonic Lumix DMC-GF1
Digital Camera Review

Previous:

Introduction

Next: Page 2

Design