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Introduction
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01.Sample Photos
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02.Design
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03.Product Tour
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04.Hardware
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05.Durability
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06.Photo Gallery
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07.Image Quality
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08.Sharpness
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09.Color
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10.Noise Reduction
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11.Dynamic Range
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12.Low Light
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13.Distortion
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14.Video
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15.Usability
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16.Ease of Use
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17.Handling
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18.Controls
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19.Speed
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20.Features
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21.Extras
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22.Video Features
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23.Specs & Ratings
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24.Conclusion
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25.Comments
Panasonic Lumix DMC-GF1
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IntroductionNext: Page 2
DesignSample Photos
Sample Photos
In the following sample images, clicking on the larger image will download the full resolution original. Each photo is accompanied by four actual-size crops.
| Film Mode Samples | |
|---|---|
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Focal length: 37mm We shot this sign with autumn decorations using each of the nine film modes, using automatic white balance and multiple metering. The standard mode image is on the left, and can be clicked to open a full-sized version in a separate window. The dynamic and vibrant modes do add pop to the ribbons, but have an unfortunate effect on the greens (which are nicely rendered in nature mode). We’re not sure where washed-out nostalgic mode would be useful, but we really like the tone and grey values in the three black and white film modes. |
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Dynamic Increased saturation and contrast |
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Vibrant Saturation and contrast ramped up more than in Dynamic mode |
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Nature Brighter reds, greens and blues |
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Smooth Contrast lowered |
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Nostalgic Saturation and contrast lowered |
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Black and White Standard Default for black and white photos |
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Black and White Dynamic Increased contrast |
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Black and White Smooth Contrast decreased |
| Close-Up Sample | ||||
|---|---|---|---|---|
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Focal length: 45mm We boosted shutter speed by ramping up the ISO to 400 shoot this nautical detail handheld and leaning forward a bit perilously. The diverse textures are nicely reproduced, the lettering on the right metal fastening comes through clearly, and the white rope maintains a good tonal range. |
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Still Life Examples
In the following sample images, clicking on the larger image will download the full resolution original.
| Still Life Comparisons | ||||
|---|---|---|---|---|
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO Low | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 200 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 400 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 800 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 1600 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 3200 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 6400 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
| ISO 12800 | ||||
| Panasonic DMC-GF1 | Olympus E-P1 | Panasonic DMC-GH1 | Canon T1i | Nikon D5000 |
NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.
Noise Examples
The following are 100% crops taken from the still life photos above. You can click on the thumbnails above to view a full-size version of the entire photo.
NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.
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