First Impressions Review
Jan 07, 2006
- By Patrick Singleton
Panasonic's line of image-stabilized compacts with substantial zooms has grown at the low end with the introduction of the Lumix DMC-LZ5 and DMC-LZ3. Both cameras feature the 6.1 to 36.6mm Lumix DC Vario 6x zoom lens, with MEGA O.I.S. Image stabilization, and they are built on the same frame – size, controls, and body materials are identical. For example, they both offer 14MB internal memory, direct printing, and a movie mode that can record 640 x 480 and 320 x 240 at 30 and 10 fps. The major functional difference between the two is resolution: the LZ5 has a 6 megapixel chip, and the LZ3 has a 5 megapixel one. The LZ5 also has a 2.5” LCD that’s a clear upgrade to the 2” display on the LZ3. Panasonic wants an extra $50 for the higher resolution camera. The LZ5 lists for $279.95, while the LZ3 is $229.95.
| Likes |
|
- Clean, simple design
- Excellent image stabilization
- Solid construction
- Nice powerful and flash illuminates scene evenly
- Reasonable price
|
| Dislikes |
- Initial quality observations show lots of noise and marginal color accuracy
- LCD display not good enough to inspect images
- Exposure not accurate in challenging settings |
Conclusion
While we were evaluating preproduction models, initial impressions on image quality drag down the LZ5 and LZ3. We know there are users who aren't very sensitive to image quality, who won't mind the noise and boosted colors, and we expect they'll like the LZ5 and LZ3's interface, size, price, and image stabilization. For snapshooters primarily in search of additional insurance against blurred images, most of Panasonic’s optically stabilized cameras will suffice; however, those users printing their images at 8 x 10 or even 5 x 7, we recommend looking for cameras with cleaner images.