-
Introduction
-
01.Physical Tour
-
02.Color and Resolution
-
03.Noise and Video
-
04.Speed and Timing
-
05.Components
-
06.Design / Layout
-
07.Modes
-
08.Control Options
-
09.Image Parameters
-
10.Connectivity / Extras
-
11.Overall Impressions
-
12.Conclusion
-
13.Sample Photos
-
14.Specs / Ratings
-
15.Comments
Panasonic Lumix DMC-LX3
Previous: Page 2
Color and ResolutionNext: Page 4
Speed and Timing
Low Light Tests
60 Lux
30 Lux
15 Lux
5 Lux
Noise
Image noise is an insidious problem that slips into even the most carefully prepared images. It looks like static in the picture, and is especially noticeable while shooting across higher ISOs or large areas of flat color.
To test the LX3 noise performance, we shot the standard Gretag Macbeth color chart at every available ISO, putting the resulting images through Imatest. The resulting score gave us an accurate representation of noise levels, and how they compare to other cameras.
Noise – Manual ISO (6.53)
The graph below shows how the LX3 performed at each ISO level. As you can see, there is a distinct upward trend. This is normal for cameras, as the higher light sensitivity provided by the greater ISOs has the effect of increasing the amount of noise as well.

The LX3 scored above average in the area of the tests, and managed to prevent passing 2% noise until ISO 1600. There is a significant jump in noise at ISO 3200 but once again, this is to be expected.
The Lumix LX3 did well in this test; scoring above every camera we compared it with. It outdistanced the Canon, Nikon and Samsung significantly in noise levels, a performance we've come to expect from the Lumix line. This means that if you're using this camera, and you manually choose the best ISO for your situation, you can expect your images to be comparatively low on noise, which makes for cleaner, better looking pictures.

This second part of the noise test isn't so much a measure of noise levels as a way of gauging the camera's intelligence. We shoot the well-lit Gretag Macbeth chart on Auto ISO, and let the camera decide what's the best setting to take the picture. The test is bright enough that the camera could easily shoot at ISO 100, which would lead to low noise levels and a good score. However, the LX3 deigned to use ISO 320, which is considerably higher than needed, and led to its low score. This is an all too common occurrence, as you can see in the comparison chart with the other cameras. What is interesting to note is that the relatively inexpensive Lumix DMC-TZ3 scored significantly better in this test.

Low Light (6.88)
We tested the LX3's low light capabilities in two ways. In the first, we shoot our standard Gretag Macbeth color chart under a number of low light conditions. We illuminate this chart at 60 lux (the brightness of a room lit by two small lamps), 30 lux (equivalent to a single 40 watt bulb), 15 lux (the light provided by a television screen) and 5 lux (about a single candle in a dark room). All shots were taken at ISO 400.
Once again, the LX3 produced middling results in our tests. While the low light scores weren't bad, they weren't particularly great. The camera really struggled at 5 lux, but the other light settings were considerably better. Panasonic has made a point of touting their new, large image sensor on this camera, which is meant to 'work optimally in low light.' Unfortunately, in this test we saw no evidence of this, and we were frankly unimpressed.
The second half of this test involves putting the camera's long exposure settings through their paces. Once again, we use the Gretag Macbeth color chart, this time lit to 30 lux, and we shoot it at a range of shutter speeds from 1 second up to 30 seconds. We were unable to perform this test accurately for more than eight seconds with the LX3, but over the exposure lengths we did test, the camera performed well with a very small amount of noise. When using the LX3, you will notice that after a long exposure, the LCD will show a timer counting down before you can use the camera again. This is an automatic noise reduction technique that is built into the camera. After the photograph is taken, the camera closes the shutter and takes a second shot of exactly the same exposure length as the first. The noise that appears in this second shot is then subtracted from the first image in a bid to reduce static. This technology cannot be turned off on the LX3, and will significantly increase the amount of time it required to take your shot if you using long exposures.
Panasonic DMC-LX3 Low Light Scores

While the LX3 didn't have the greatest low light performance, its score for long exposure was enough to bump the camera up to a decent level for this round of tests.
Still Life
To show how the vagaries of high ISOs and noise levels can affect your day-to-day shooting, we take a series of photographs in a normally lit room at every available ISO. The results are posted below, so you can see how the camera deals with these situations. Clicking on the images below will bring up the full-size originals. However, these photos are very large and may take a significant amount of time to download.
Video Performance (8.01)
The Samsung LX3 can shoot video in both 4:3 mode and 16:9. In the former it records either 640 x 480 or 320 x 240, while in the latter it records at 1280 x 720 or 848 x 480. It uses Quicktime MP4 format, which doesn’t take up much space on your memory card.
Our color tests for video performance are done almost exactly the same as our tests for still images. We record video of the Gretag Macbeth color chart under fixed lighting conditions, and use Imatest to measure the color accuracy in stills taken from that video. The first of these is shot at 3000 lux, equivalent to a relatively well-lit day. The LX3 scored very well in this test, capturing color accurately and with minimal noise.

Low Light - 30 Lux
While the color was significantly noisier and less accurate in the low light version of this test, which was unsurprising, the LX3 still managed to score well for shooting in very poor conditions. This test was undertaken at 30 lux, which is about the level of light provided by a single 40-watt bulb, and we found the LX3 performed well in these less-than-ideal conditions.

Motion (1.00)
This camera performed very well in our video tests. While it might not overtake the family camcorder, it can take 720p video with very accurate color, which is something nice to see on a point-and-shoot.
Panasonic DMC-LX3 Video Scores

Shop for the Panasonic Lumix DMC-LX3
Latest News
& Reviews
-
10-Feb-2012
Sigma DP2 Merrill First Impressions Review
Sigma is back with a new high-end compact camera with a 46-megapixel Foveon X3 APS-C sensor. With image quality promised to be on the level of their $6000 SD1, can the new DP2 Merrill compete with the Fuji X100? Read More...
-
10-Feb-2012
Nikon Coolpix L810 First Impressions Review
Nikon’s L810 is a AA-powered ultrazoom that somehow manages 26x for under $300. Some cost-cutting efforts have certainly been made, and controls are quite simplified, but for the right user this could be an ideal camera. Read More...
Top Rated Point & Shoots
-

$459.991Panasonic Lumix FZ150
Excellent image quality, speedy performance, and a great design add up to the best superzoom that has ever graced our labs. That distinction seems to change hands every week, but trust us when we say that the FZ150 is a truly great camera. Read full 16-part review
$459.99TypesAny Zoom3,5.13.1x to 5x Zoom5.1,105.1x to 9.9x Zoom10,10x & Larger ZoomAny Megapixels0,8< 8 Megapixels8,108 to 10 Megapixels10,> 10 Megapixels -

$378.992Canon PowerShot SX40 HS
Canon's SX30 got a CMOS makeover that resulted in the SX40 HS, an impressive ultrazoom that captures beautiful shots in almost any scenario. Read full 16-part review
$378.99TypesAny Zoom3,5.13.1x to 5x Zoom5.1,105.1x to 9.9x Zoom10,10x & Larger ZoomAny Megapixels0,8< 8 Megapixels8,108 to 10 Megapixels10,> 10 Megapixels -

$427.953Sony Cyber-shot HX100V
This professionally-geared ultrazoom offers some of the best color accuracy we've ever seen. It's a shame the other scores weren't quite so strong. Read full 16-part review
$427.95TypesUltra-ZoomAny Zoom3,5.13.1x to 5x Zoom5.1,105.1x to 9.9x Zoom10,10x & Larger ZoomAny Megapixels0,8< 8 Megapixels8,108 to 10 Megapixels10,> 10 Megapixels16.8 MP -

$314.954Panasonic Lumix DMC-FZ47
Panasonic resists the urge to cram more megapixels and more focal length into their latest ultrazoom. The FZ47 instead focuses on image quality and features, resulting in an incredibly strong camera that we loved shooting with. Read full 16-part review
$314.95TypesAny Zoom3,5.13.1x to 5x Zoom5.1,105.1x to 9.9x Zoom10,10x & Larger ZoomAny Megapixels0,8< 8 Megapixels8,108 to 10 Megapixels10,> 10 Megapixels -

$417.005Canon PowerShot S100
Canon's PowerShot S100 improves on the popular S95 and takes its place at the top of the point-and-shoot food chain. Read full 16-part review
$417.00TypesAny Zoom3,5.13.1x to 5x Zoom5.1,105.1x to 9.9x Zoom10,10x & Larger ZoomAny Megapixels0,8< 8 Megapixels8,108 to 10 Megapixels10,> 10 Megapixels
Features
-
DigitalCameraInfo New Year's Giveaway
Check back every day for the rest of 2011 to see what we’re adding to the grand prize package. It all starts with the Sony NEX-5N and ends with over $4000 in prizes! Read More...
-
DigitalCameraInfo.com 2011 Select Awards
After a year of tireless testing and deliberation, we’ve made our selections for the very best cameras of 2011. Read More...













(add your own)