Panasonic Lumix DMC-LX3
Digital Camera Review
Sep 18, 2008
- By Tim Barribeau
2.3
The Lumix DMC-LX3 is Panasonic's newest high-end point-and-shoot camera. Marked by an eye-catching retro aesthetic, the LX3 is designed with photo enthusiasts and professionals firmly in mind. Priced at $500, the camera is armed with the new 1/1.63” CCD sensor, and is meant to deliver lower noise and better low light results. Did it manage to live up to this goal? How did it perform on the rest of our rigorous testing? Read on and find out...
| Top Point & Shoot Cameras |
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Picture Quality / Size Options (8.33)
The LX3 shoots at five levels of quality: Fine JPEG, Standard JPEG, RAW, RAW+Fine JPEG and RAW+Standard JPEG. With so many aspect ratios, a large variety of image sizes are available:

4:3 ratio
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3648 x 2736, 3072 x 2304, 2560 x 1920, 2048 x 1536, 1600 x 1200, 640 x 480
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3:2 ratio
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3776 x 2520, 3168 x 2112, 2656 x 1768, 2112 x 1408, 2048 x 1360
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16:9 ratio
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3968 x 2232, 3328 x 1872, 2784 x 1568, 2208 x 1248, 1920 x 1080
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Picture Effects Mode (4.25)
As expected for a camera aimed at a more professional market, the LX3 has a limited number of picture effect modes. The ones that are present are primarily called Film Modes, which can be tweaked for contrast, sharpness, saturation or noise reduction. You can choose between Standard, Dynamic, Nature, Smooth, Vibrant, Nostalgic, Standard B&W, Dynamic B&W, Smooth B&W and the user definable My Film 1 and My Film 2. Beyond that is Multi Film, where you can select three of these Film Modes, and the camera will rapidly take a picture using each.
There are three other picture effects that are not in Film Modes, of which two Scene Presets. Pin Hole artificially tints the corners of the image to simulate the vignetting that occurs in pinhole cameras. Then there's film grain, which mimics the noise that was present in high ISO films in analog cameras. Finally, there's Multi Exposure, which lets you overlay two or three images on one another.
| Control Options |
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Connectivity / Extras |
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