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Introduction
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01.Physical Tour
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02.Color and Resolution
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03.Noise and Video
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04.Speed and Timing
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05.Components
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06.Design / Layout
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07.Modes
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08.Control Options
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09.Image Parameters
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10.Connectivity / Extras
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11.Overall Impressions
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12.Conclusion
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13.Sample Photos
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14.Specs / Ratings
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15.Comments
Olympus SP-570 UZ
Previous: Page 7
ModesNext: Page 9
Image ParametersManual Control Options
Manual exposure controls work nicely, with enough options to allow thoughtful fine-tuning of your shot. The only real disappointment here is the manual focus system – it's nice that manual focus is available at all, but the controls could use some work.
Focus
Auto Focus (7.75)
The default iESP mode attempts to determine the subject of the photo by analyzing the scene and focuses accordingly. Spot focus limits focus to the auto focus target mark in the center of the screen, while Area auto focus lets the user move the auto focus mark using the four-way controller. Face detect mode is also available, which identifies the people in a scene and sets focus and exposure accordingly.
Full-time auto focus is available in both still and movie modes, maintaining focus without requiring the shutter button to be depressed halfway. Of course, this mode will wear down batteries more quickly, and produces a noticeable ongoing vibration as you move the camera around which we find unpleasant.
AF Predict attempts to keep a moving subject in focus as you keep the shutter half-pressed. We had mixed results here, with a swinging ball on the end of a rope tracked fairly well but a speeding dog and a panning camera just too much for the system.
There are two macro mode settings, available by pressing the rightmost button in the four-way controller group. Regular macro mode allows focusing as close as 3.9 inches (10 cm) from your subject. If that doesn't fill the screen sufficiently, there's Super macro mode, which lets you cozy up as close as 0.4 inch (1 cm) from your target, if you can somehow manage not to block the light at that nearly-touching range.
In all focus modes, the auto focus illuminator can be switched on or off. It's a red LCD light with a good long range, and with its assistance we found low-light auto focus quite speedy.
Manual Focus (5.50)
Switching between auto and manual focus is simple: just flip the switch on the left side of the lens barrel from AF to MF. Using the manual focus system with any accuracy is a bit more difficult.
You can choose one (and only one at a time) of three options for controlling manual focus: the left and right buttons in the four-way control cluster, the control dial or the zoom ring. Of course, any one of these decisions knocks out another frequently used control during the focus process. Use the zoom ring for focus and you can't zoom the lens. Use the control dial and you can't adjust aperture or shutter values for manual exposure settings. Choose the four-way control buttons and the options ordinarily associated with those buttons (macro and flash control) are unavailable. So, to get around this boondoggle, Olympus created another one. You have to toggle in and out manual focus mode by pressing and holding the OK button. Hold it down for a few seconds, manually focus, then hold OK down for a few seconds again and your focus is set, and the buttons perform their ordinary functions. If you mistakenly just press OK rather than press and hold OK, you get the LCD control menu instead. And to make matters worse, whichever control method you choose for adjusting focus manually is clumsy, imprecise and tedious. The only bright spot: while manually focusing, the center of the image is magnified on screen to offer a very good image of the present state of focus affairs. It's a nice gesture, but it doesn't really make for a system you'd use unless the auto focus system absolutely couldn't cope with current shooting conditions.
ISO (9.000)
ISO settings range from 64 to 6400, with one caveat: the top two settings (3200 and 6400) knock resolution down from 10 megapixels to 5. There are two Auto ISO settings, standard and High ISO, which boosts ISO to minimize the effect of camera shake.
White Balance (9.00)
In addition to Auto, the 570UZ offers six white balance presets (daylight, cloudy, incandescent, and three flavors of fluorescent) and the option to take a live reqading by shooing a neutral card under current lighting conditions.
There's also a manual white balance adjustment available through the camera menu. It's not exactly the kind of precision tool you'll find on some high-end SLRs, but it is very easy to use: there's a bar with 15 settings on a blue-to-red axis, and as you move the pointer with the four-way controller, the changes are reflected on screen. Here again, though, we have a control that would make perfect sense to map to the custom control button, but it can't be done. Instead you have to maneuver to the 15th item in the camera menu to access this manual white balance adjustment.

Exposure (7.00) Exposure compensation is available in the ±2 EV range, in 1/3 EV increments. The setting is managed by holding down the exposure compensation button (behind and to the left of the shutter) with your index finger, then turning the control dial with your thumb. Changes are reflected in the on-screen image as they're made. It's a fast, efficient system, much easier than burrowing down through the menu system. The AEL/ AFL button can be set to lock auto focus, auto exposure or both, using the Setting menu. Metering (6,75) Shutter Speed (8.75) Aperture (7.00)
The 570UZ provides the full complement of aperture-priority, shutter-priority and full manual exposure controls, all available via the top Mode dial. The Control dial, to the right of the Mode dial, changes the selected variable easily in aperture- or shutter-priority modes. In full manual, with only one control dial available, you have to press the exposure compensation button near the shutter to toggle between setting aperture or shutter. The on-screen display highlights the selected function, displays the current exposure value above or below the ideal numerically in 1/3 EV increments, and brightens or darkens the screen interactively to show the impact of settings changes.
There are three available metering modes. ESP doesn't actually set the exposure based on psychic readings; it stands for Electronic Selective Pattern, analyzes the full frame and attempts to create a balanced exposure favoring what the system calculates to be the subject of the photo. Spot metering reads only at the auto focus point, while center-weighted metering reads a wider but still limited area in the middle of the screen..
Shutter speeds are adjustable from 1/2000 second up to 15 seconds. There is also a Bulb setting that keeps the shutter open for up to 8 minutes, as long as the button remains depressed, though Bulb shooting is only available with the camera set to ISO 64, an odd limitation.
The available aperture range varies depending on the zoom lens position. At maximum wide angle, apertures range from f/2.8 - f/8.0; at maximum telephoto, it's f/4.5 - f/8.0. We're impressed with the large available aperture at both ends of the spectrum. At f/2.8, you're much more likely to get away with a flash-free shot in available light than with the typical f/3.5-or-thereabouts compact camera lens. And an f/4.5 aperture helps eke out higher shutter speeds when shooting with the equivalent of a powerful 520mm telephoto, making blur-free telephoto photography more practical.
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