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Introduction
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01.Testing / Performance
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02.Physical Tour
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03.Components
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04.Design / Layout
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05.Modes
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06.Control Options
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07.Image Parameters
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08.Connectivity / Extras
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09.Overall Impressions
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10.Conclusion
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11.Specs / Ratings
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12.Comments
Olympus EVOLT E-500
Previous: Page 3
ComponentsNext: Page 5
Modes
Shooting Menu (1)
Model Design / Appearance (6.0)
With a viewfinder hump, the Evolt E-500 is conventional-looking compared with the flat-topped E-300 and E-330. It's narrow, with the lens set far to one side, and a wide hand grip. While brands like Canon and Pentax have tended to smooth out their DSLR designs, with bodies that look as if the corners and edges have all worn away, Olympus has ladled on the ledges, corners, and bumps, as if the E-500 were made of Lego blocks. The feel is a little old-fashioned and scientific.

Size / Portability (6.0)
The smallest DSLRs are too big to pocket, and their T-shape is about the most inconvenient shape to store and pack. At 5 x 3.7 x 2.6 inches, the E-500 is on the small side of DSLRs, but requires a carrying case, especially if the user carries an extra lens, external flash, or other accessories which make an SLR worthwhile.
The E-500's Four Thirds sensor is smaller than most of its competition, which leads to shorter-focal-length lenses. All that would logically suggest the camera should be smaller than the competition, but it isn't. The body alone weighs 15.34 oz, and will require the included neck strap for longer photo shoots.
Handling Ability (6.0)
Having the lens all the way at the edge of the camera is a benefit on a small camera like the Evolt E-500, because it's easy to cradle the lens and that side of the body with the user's left hand. The hand grip is boxy and thick, and better-suited for large hands than might be expected. The gripping surface on the right side feels sure and sticky. The E-500 isn't likely to fall out of the user's hands. On the back of the grip is a small bowl molded into the body’s plastic housing; this provides a little support for the thumb.


Control Button / Dial Positioning / Size (6.0)
DSLRs usually offer a wide range of control and quick operation. The E-500 offers plenty of control, and as a DSLR, it's much faster than compact cameras and SLR-like super-zooms. Unfortunately, its control interface is slow and inconvenient, which undercuts the camera's advantages.
The Olympus E-500 has only one control dial, which means that in Manual mode, for instance, the user has to press and hold the EV button while turning the dial to set the aperture. To choose the autofocus site, the user must press the autofocus button while turning the dial. Given how close the two are, this movement is inconvenient to do while the camera is at eye level. The control dial would be easier to use if it were larger and overhung the back of the E-500 better, where the user's thumb could run it faster.
The mode dial is large, which is a tradition for Olympus, but is stiff and centered on top of the camera. Most users will need a thumb and index finger to set it.
Menu (6.0)
The Evolt E-500's menus are a mess. Tools that ought to have low priority are high up in the hierarchy – card format and custom reset are the first two options. The layout shows relatively few options at a time, and some features have puzzling, non-intuitive names.
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Shooting Menu (2)
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Flash Mode
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Sync type
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Flash Exposure Compensation
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Increase or decrease flash exposure
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Drive, Self-timer, Remote Control
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Set to burst, set length of self-timer delay, or set for wireless remote control
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AF mode
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Set to single autofocus, continuous, manual, or either auto mode with manual override
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AF pattern
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Select one of the 3 autofocus sites, or set to auto
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WB Bracket
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Take multiple shots with varying white balances
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AE Bracket
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Take multiple shots with varying exposure
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FL Bracket
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Take multiple shots with varying flash exposure
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MF Bracket
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Take multiple shots with varying focus
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Anti-shock
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Delay exposure after the mirror swings up to reduce vibration blurring
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Playback
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Slide show
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Show images in sequence
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Rotate
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Rotate vertical images to display properly
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Edit
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Edit RAW, TIFF or JPEG images. RAW edit processes RAW file according to camera settings, and save a new TIFF or JPEG. TIFF or JPEG edit converts to Black & White or Sepia, fixes red-eye, adjusts saturation, or crops, and saves a new TIFF or JPEG
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Print
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Print via PictBridge or DPOF
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Copy All
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Copy between CF and xD memory cards
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Setup (1)
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ISO Step
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Set ISO increment to 1/3, ½ or 1 EV
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ISO Boost
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Activate ISO settings over 400
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ISO Limit
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Set maximum ISO
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EV step
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Set aperture and shutter speed increments to 1/3, ½ or 1 EV
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All WB
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Bias all white balance settings by a set amount
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HQ
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Set JPEG compression level for HQ setting
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SQ
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Set JPEG compression level and pixel dimensions for SQ setting
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Manual Flash
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Set flash to fixed output
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AE and FLE
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Link flash and ambient exposure adjustment
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Auto popup
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Set flash to pop up automatically
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Dial
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Set control dial behavior in Program and Manual modes
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AEL/AFL
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Set the exposure and focus lock button behavior in various focusing modes
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AEL metering
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Set meter pattern for use with AEL button
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Quick Erase
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Allow image deletion immediately after an image is shot, while it's being reviewed
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RAW+JPEG erase
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Sets delete behavior when shooting RAW and JPEG simultaneously
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One-touch WB function
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Set behavior of one-touch white balance button
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My mode setup
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Create custom shooting modes
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Focus ring
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Set whether infinity focus is in clockwise or counter-clockwise direction
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AF Illuminator
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Shines light to improve focus in low light
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Reset Lens
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Reset infinity focus
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Release Priority S
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Set whether shutter waits to fire until focus is set in S focus mode
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Release Priority C
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Set whether shutter waits to fire until focus is set in C focus mode
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Setup (2)
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Clock
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Set time and date
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CF/xD
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Select memory card type
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File Name
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Set numbering
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Edit File name
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Create file name prefix
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LCD
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Set LCD brightness
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Menu
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Set menu language
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Video Out
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Set for PAL or NTSC compatibility
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Beep
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Set alert beep on or off
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Rec View
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Set to review image automatically after shooting
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Sleep
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Set interval before camera goes into sleep mode when unused
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4h Timer
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Set camera to shut down after 4 hours when unused
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Button Timer
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Set interval that a button press stays active
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Screen
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Show startup animation
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CTL Panel Color
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Set background color for LCD display
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Priority Set
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Set menus to default to "Yes" or "No"
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USB mode
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Set for storage, tethered mode, easy or custom printing
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Color Space
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Set to sRGB or Adobe RGB
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Shading Compensation
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Set to compensate for lenses that vignette
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Pixel Mapping
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Set camera to ignore "hot" pixels
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Cleaning Mode
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Allows cleaning sensor manually
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Firmware
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Shows version number of internal software
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Ease of Use (6.0)
All cameras are designed by engineers for photographers, but it seems as though the E-500 is designed for engineers. It doesn't seem to be designed for either experienced or beginning photographers. We can't imagine what kind of photographer needs fast access to memory card formatting above all other menu functions – putting it up top gives beginners the opportunity to accidentally delete all their images, and it's useless to advanced users, who have probably learned the lesson of prepping their cards at the computer, right after they download their images and back them up.
The Evolt E-500 has some unique options – focus bracketing pops to mind – which beg the question: why not make the basic control better, rather than add an offbeat gimmick? The E-500's autofocus is slow and ineffective in low light – why not improve that, instead of adding bracketing?
The E-500's quirks don't improve its performance. The aspects that are above average feel beside the point, and the aspects that are inferior are often important to shooting.
On the plus side, the E-500's manual is readable, well organized, and exhaustive.
Shop for the Olympus EVOLT E-500
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