| Recently Viewed Products | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
| Top DSLR Cameras | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Max Price: $7200
Filters
|
|
|
| D300S Prices |
|---|
| D300S Manual |
|---|
Nikon D300S Manual |
![]() |
Sample Photos Summary | |||
• Edge-to-edge sharpness very good• Little evidence of chromatic aberration even at extreme edges • Aggressive noise reduction has substantial impact on fine image detail • Subtleties of texture and color captured nicely |
||||
|
White Balance | Page 7 of 21 | Playback | |
Sample Photos
In the following sample shots, clicking on the larger images will open the original file in a separate window.
| City Sample | ||||
|
Focal length: 16mm Aperture: f/11 Shutter: 1/250 ISO: 200 Shot in aperture priority mode, with center-weighted metering and automatic white balance. This late afternoon shot was taken in New York City, facing north on Park Avenue, toward Grand Central Station. The D300S held onto detail in the shadowed left side well, and there's no visible chromatic aberration even at the extremes of the wide angle. |
|||
![]() |
![]() |
![]() |
![]() |
|
| Texture Sample | ||||
|
Focal length: 28mm Aperture: f/9 Shutter: 1/320 ISO: 400 This church in Somerville, MA was shot in program mode, with 3D Matrix II metering, using the neutral Picture Control. The subtle color differences in the stonework are reproduced nicely, and the edges are crisp from top to bottom and side to side. |
|||
![]() |
![]() |
![]() |
![]() |
|
| Noise Reduction Sample | |
|
Focal length: 70mm Aperture: f/5.6 Shutter: 1/6 ISO: 3200 We mounted the D300S on a tripod, turned the studio lights down very low and shot these stamps in each of the high ISO noise reduction levels to assess detail level. The camera did quite well with the lettering and fine line work on the bell with noise reduction off, and the effect of low noise reduction is noticeable but acceptable. Beyond this level, the blurriness becomes substantial. |
![]() |
Noise Reduction Off |
![]() |
Noise Reduction Low |
![]() |
Noise Reduction Standard |
![]() |
Noise Reduction High |
| Color Sample | ||||
|
Focal length: 70mm Aperture: f/5.6 Shutter: 1/13 ISO: 200 These items with their familiar logos were shot under mixed incandescent and fluorescent lighting, with a custom white balance reading, with the neutral picture control. Color reproduction here is very good, capturing the different shades of green in the Starbucks and Heineken logos, reproducing the McDonalds colors accurately and sharply. Only the Raisinets box show a noticeably shift in hue. |
|||
![]() |
![]() |
![]() |
![]() |
|
| Feline Sample | ||||
|
Focal length: 72mm Aperture: f/5.6 Shutter: 1/60 ISO: 200 This shot of our furry friend Lucas was taken in program mode, using center-weighted metering, bouncing a Nikon SB 600 flash off the ceiling. We like the exposure balance, and the fine detail in the cat's eyes. |
|||
![]() |
![]() |
![]() |
![]() |
|
| Night Shot Sample | ||||
|
Focal length: 34mm Aperture: f4.5 Shutter: 1/30 ISO: 800 At ISO 800 we were able to handhold this late night shot of the historic Somerville movie theater, We left the camera in program exposure mode, using matrix metering, and experimented with exposure compensation; the balance here was achieved with -1.3EV. In a difficult shooting situation, there's impressive detail and little intrusive noise |
|||
![]() |
![]() |
![]() |
![]() |
|
Still Life Examples
The images below were shot with each of our comparison cameras in aperture-priority mode, using auto white balance, at all official ISO settings. Click on a thumbnail to open up a full-size version of the image in a separate window.
| Still Life Comparisons | |||||
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 100 | |
|
|
|
|
| ISO 200 | |
|
|
|
|
| ISO 400 | |
|
|
|
|
| ISO 800 | |
|
|
|
|
| ISO 1600 | |
|
|
|
|
| ISO 3200 | |
|
|
|
|
| ISO 6400 | |
|
|
|
|
| ISO 12800 |
|
|
|
|
|
NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.
Noise Examples
The following same-size crops were taken from our still life sample images for each comparison camera.
| Noise Comparison Table | |||||
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 100 | ![]() |
![]() |
![]() |
||
![]() |
![]() |
![]() |
|||
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 200 | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 400 | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 800 | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 1600 | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 3200 | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 6400 | ![]() |
![]() |
![]() |
||
![]() |
![]() |
![]() |
|||
| Nikon D300S | Canon 7D | Nikon D5000 | Panasonic GH1 | Sony A550 | |
| ISO 12800 | ![]() |
![]() |
|||
![]() |
![]() |
||||
NOTE: The images above are not used in our testing or scoring, but are included here to show real-world examples of the differences between cameras at the various ISO settings.
| Page 7 of 21 | Playback | ||
| Page 7 of 21 | Playback | ||