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Nikon Point and Shoot and Non-DSLR
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Nikon Coolpix 7900 Digital Camera Reviewby Emily RaymondPublished on October 27, 2005
These results are displayed again below, this time in a graph with only the ideal colors and the 7900’s colors. Each square on the graph represents an original tile from the GretagMacbeth color chart. The circles represent the Nikon Coolpix 7900’s rendering of the color. The line between the two unifies the colors and its length represents the degree of error. Longer lines indicate a greater degree of error.
The Nikon Coolpix 7900 performed a bit below average with an unremarkable 6.36 overall color score and a 9.44 color error. Many compact digital cameras exaggerate colors and the 7900 is no different; it over-saturated colors by 10 percent. Most models exaggerate the red #15 tile the most because that is the color that enhances Caucasian skin tones. Surprisingly, this color is only slightly embellished compared to the cooler tones. Overall, the Nikon Coolpix 7900 doesn’t produce accurate colors but they do look vibrant because of the degree of over-saturation. If you are looking for a naturalistic rendering of the scene, some post-capture enhancement will likely be needed. Resolution / Sharpness (2.9)
Imatest’s analysis of this chart determined the limit where the 7900 couldn’t differentiate the lines from one another anymore. The result is reported in LW/PH, which stands for line widths per picture height. Traditionally, resolution measurements were reported in units of line pairs per picture height or LP/PH, but this does not apply to varying sizes of image sensors like those on digital cameras. Therefore, we use LW/PH to standardize results for cameras with different sized sensors.
Imatest detected 1.02-3.13 percent over-sharpening and 1464 LW/PH in the horizontal direction and 1430 in the vertical direction. To provide some context for these results, here are a few figures from comparable 7-megapixel compact digital cameras. The Canon PowerShot SD500 read 1862 LW/PH horizontally and 1952 vertically. The Sony Cyber-shot DSC-W7 read 1654 LW/PH horizontally and 1973 vertically. By contrast, the Nikon Coolpix 7900’s figures in the 1400s are not very impressive at all. Beware when cropping and printing large photographs.
Judging from the above chart, it looks like the noise reduction mode is relatively useless. When the noise reduction is activated, other image parameters are affected. The saturation fades from 110 percent to 109.6 percent and the color accuracy declines from a 9.23 color error to a greater 9.44 error. This is nothing terribly drastic, but worth noting.
None of the images turned out spectacular in low light. The images are grainy and colors are muddy, with a notable drop in illumination occurring between 15 and 5 lux.
Below is a chart showing the noise levels in low light. The vertical axis shows the noise level and the horizontal axis shows the exposure time in seconds. There is a substantial leap in noise in exposures that are longer than one second.
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