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Introduction
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01.Product Tour
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02.Color
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03.Noise
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04.Resolution
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05.Sample Photos
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06.Playback
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07.Hardware
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08.Controls
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09.Design & Handling
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10.Fuji 600EXR Comparison
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11.Casio EX-ZR100 Comparison
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12.Samsung PL210 Comparison
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13.Conclusion
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14.Photo Gallery
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15.Comments
Fujifilm FinePix T300
Previous: Page 1
Product TourNext: Page 3
NoiseColor
The T300 posted decent color accuracy, though there’s little variety beyond the “standard” option.
Color (11.59)
We found the T300 posted a color error of 3.45 in our tests of its standard color mode, with a saturation level of around 97% of the ideal. Those are decent numbers, and we found the camera had the hardest time in reigning in blues and magentas, as they tended to be oversaturated. The T300 did very well with skin tones and foliage in this mode, however. More on how we test color.
The Fuji T300 was bested in our comparison group by just about every model we put it up against, though it lands in a virtual tie with the Casio ZR100. The Samsung PL210 and the Fuji F600 (admittedly a more expensive model), both managed to offer more accurate colors across the board.
| Camera Color Comparisons | |||||
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| Ideal | Fujifilm FinePix T300 | Fujifilm FinePix F600EXR | Casio Exilim EX-ZR100 | Samsung PL210 | |
| Dark Skin |
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| Light Skin |
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| Blue Sky |
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| Foliage |
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| Blue Flower |
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| Bluish Green |
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| Ideal | Fujifilm FinePix T300 | Fujifilm FinePix F600EXR | Casio Exilim EX-ZR100 | Samsung PL210 | |
| Orange |
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| Purplish Blue |
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| Moderate Red |
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| Purple |
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| Yellow Green |
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| Orange Yellow |
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| Ideal | Fujifilm FinePix T300 | Fujifilm FinePix F600EXR | Casio Exilim EX-ZR100 | Samsung PL210 | |
| Blue |
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| Green |
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| Red |
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| Yellow |
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| Magenta |
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| Cyan |
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Color Modes (3.00)
The only three color modes available on the T300 are standard, chrome, and monochrome. The chrome mode was less accurate than standard, with its best shot having a color error of 4.09 and a saturation level of 96% of the ideal. We found chrome provided a great deal of variance, however, as one test shot returned an error of 4.89 with saturation boosted all the way up to 119% of the ideal, in a shot taken literally just seconds after the first one. With no change in lighting, composition, or any of the internal shooting options or exposure settings, this level of inconsistency means it’s tough to know what the chrome mode will return from one shot to the next.
Shop for the Fujifilm T300
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