| Latest Camera Reviews | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
|
| Recently Viewed Products | ||||||
|---|---|---|---|---|---|---|
|
| Top Point & Shoot Cameras | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Max Price: $1050
Filters
|
|
|
| SX1 IS Prices |
|---|
![]() |
Color | |||
![]() |
Product Tour | Page 3 of 16 | Noise | |
Color Accuracy (14.44)
As usual, Canon did well in our color accuracy testing, posting a higher score than any of the other cameras in our comparison group. It was interesting that the most accurate color mode overall wasn't the default setting, but the Lighter Skin choice from the My Colors lineup of alternative settings. The default did have the most accurate color saturation results, at a near-perfect 100.10 percent, but while Lighter Skin was marginally undersaturated at 98.61%, it also produced the most accurate color values, particularly in the light skin patch (no surprise there) but also with light and dark blues and magenta. Click here for more on how we test color
The chart below illustrates the color values produced by each of the comparison cameras in its most accurate mode. The ideal values from the X-Rite ColorChecker chart are shown in the left column. The labels here are the X-Rite patch names.
| Camera Color Comparisons | |||||
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Dark Skin | ![]() |
![]() |
![]() |
![]() |
![]() |
| Light Skin | ![]() |
![]() |
![]() |
![]() |
![]() |
| Blue Sky | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Foliage | ![]() |
![]() |
![]() |
![]() |
![]() |
| Blue Flower | ![]() |
![]() |
![]() |
![]() |
![]() |
| Bluish Green | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Orange | ![]() |
![]() |
![]() |
![]() |
![]() |
| Purplish Blue | ![]() |
![]() |
![]() |
![]() |
![]() |
| Moderate Red | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Purple | ![]() |
![]() |
![]() |
![]() |
![]() |
| Yellow Green | ![]() |
![]() |
![]() |
![]() |
![]() |
| Orange Yellow | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Blue | ![]() |
![]() |
![]() |
![]() |
![]() |
| Green | ![]() |
![]() |
![]() |
![]() |
![]() |
| Red | ![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
|
| Ideal | Canon SX1 | Nikon P90 | Olympus SP-590UZ | Sony HX1 | |
| Yellow | ![]() |
![]() |
![]() |
![]() |
![]() |
| Magenta | ![]() |
![]() |
![]() |
![]() |
![]() |
| Cyan | ![]() |
![]() |
![]() |
![]() |
![]() |
NOTE: Because of the way computer monitors reproduce colors, the images above do not exactly match the originals found on the chart or in the captured images. The chart should be used to judge the relative color shift, not the absolute captured colors.
| Color Performance Score Comparison | ![]() |
Compare the Canon SX1 to the Nikon P90 |
![]() |
||
![]() |
Compare the Canon SX1 to the Olympus SP-590UZ |
|
![]() |
Compare the Canon SX1 to the Sony HX1 |
As shown in the graph above, the Canon SX1 delivered significantly higher color precision than its rivals.
Color Modes (5.00)
The My Colors feature provides a wide range of color reproduction style options while shooting. You can choose from Vivid, Neutral, Sepia, Black and White, Positive Film (producing Kodacolor-style high-intensity reds, greens and blues) Lighter Skin Tone, Darker Skin Tone, Vivid Red, Vivid Green and Vivid Blue. If none of these produces the effect you're after, the Custom Color option lets you manually adjust contrast, saturation, sharpness, red, green, blue and skin tone levels. What makes all of this a bit more manageable is the fact that any settings changes you make to color modes are reflected live on-screen, which cuts down on nasty surprises.
![]() |
![]() |
![]() |
| Nikon P90 | Olympus SP-590UZ | Sony HX1 |
| See how the competition stacked up against the Canon SX1 |
||
| Page 3 of 16 | Noise | ||