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Comparisons
Canon PowerShot S2 IS – The predecessor of the S3, the Canon S2, has the same long 12x optical zoom lens and image stabilization system. The older model has a different image sensor, though, which only has 5.1 megapixels and supports ISO sensitivities from 50-400. The Canon S2 has the same chunky body shape and dimensions, and even the same hefty weight, but comes in a silver color with a slightly smaller LCD screen. The monitor still folds out and rotates, but the screen itself only measures 1.8 inches, as opposed to the S3’s 2-inch screen. Despite the smaller screen, both models have the same 115,000 pixels of screen resolution. The S2 has dual record buttons on its body to accentuate its hybrid functionality, but its movie mode does not have the 60 fps fast frame rate mode that the S3 includes. The older model is also missing a Sports scene mode and a widescreen-optimized image size. Though Canon PowerShot S2 IS originally retailed for $499 when it came out early last year, it can now be found for about $350.
Panasonic Lumix DMC-FZ7 – The FZ7 comes in a much more compact frame, but its shape is still reminiscent of a DSLR. It has a large hand grip on one side and a Leica 12x optical zoom lens on the other. Like the Canon S3, the Panasonic FZ7 has an optical image stabilization system. It works well in still or movie shooting, although movie mode only supports monaural audio and doesn’t allow the FZ7 to utilize its lengthy zoom lens while recording video. Still, the Lumix can record widescreen movies. The F27 also has the format for still images, along with 4:3 and 3:2. The 6-megapixel camera has full manual control along with a Simple mode, 15 scene modes, and a Panorama mode similar to the S3’s Stitch Assist. Its viewfinder is equally unimpressive, however, and its 2.5-inch LCD screen has a measly 114,000 pixels of resolution. The Panasonic has a similar feature set in a much more compact body for $349, a fraction of the S3’s price.
Sony Cyber-shot DSC-H5 – The ultra-zoom H5 has a bit more resolution, with 7.1 megapixels, but its CCD is also 1/2.5 inches. It comes with a Carl Zeiss 12x optical zoom lens and a similar image stabilization system, and has a chunky 4.5 x 3.3 x 3.7-inch body with a pop-up flash on the top. The flash has similar effectiveness, including the S3’s exposure compensation. The Sony Cyber-shot DSC-H5 has a smaller viewfinder with a hard plastic eyecup, but a much larger 3-inch LCD screen with 230,000 pixels of resolution. There is full manual functionality and several scene modes; all exposure modes are on the mode dial. Beginners will appreciate the function guide that explains what each mode does, how many images each image size can capture, and how big each can print. The Sony H5 also runs on AA batteries, but only requires two of them instead of four. This model comes with Sony-branded batteries and a charger in the package, so users won’t have to spend the extra $45 as they will with the Canon S3, and the H5’s batteries approach 340 shots per charge. Its body comes in black and silver and is compatible with conversion lenses and flash accessories. The H5 produced average colors, but kept noise very low, even with an 80-1000 ISO range. The Sony Cyber-shot DSC-H5 also retails at $499.
Who It’s For
Point-and-Shooters – One look at the abundance of controls on the back and these shooters may be scared. Point-and-shooters who do venture into the S3’s wilderness will be pleased, though. This camera has an Auto mode, 13 scene modes, and plenty of growing room.
Budget Consumers – A $499 price tag will make these consumers a little hesitant. Other ultra-zoom models come at cheaper prices, but the Canon S3 IS is the only one to offer optical image stabilization and a camcorder-style LCD monitor. Whether the features justify the price depends on the consumer’s budget: this model tends to be on the higher end of its price range.
Gadget Freaks – There is nothing incredibly innovative on the S3 IS, but its combination of 12x optical zoom and image stabilization is pretty nifty. Add in bonus features like voice memos, dual record buttons to snap full-resolution pictures in movie mode, and a jump button to make navigating through lots of pictures easy, and you have a camera which may interest gadget freaks after all.
Manual Control Freaks – With 48 shutter speed steps and 10 aperture stops, the Canon S3 offers lots of manual control. There is a Custom setting to save frequently used manual settings and priority modes for beginners venturing into manual controls for the first time.
Pros/ Serious Hobbyists – The S3 IS could be used as a backup camera for professionals or a primary model for hobbyists. It is compatible with accessory lenses and has the feel of a single lens reflex camera, but it is much more compact.
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